Schubert's workshop. Volume 1, Towards an early maturity / Brian Newbould.
Schubert⁰́₉s Workshop offers a fresh study of the composer⁰́₉s compositional technique and its development, rooted in the author⁰́₉s experience of realising performing versions of Franz Schubert⁰́₉s unfinished works. Through close examination of Schubert⁰́₉s use of technical and structural devices,...
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Full Text (via Taylor & Francis) |
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| Other title: | Towards an early maturity. |
| Format: | eBook |
| Language: | English |
| Published: |
New York, NY :
Routledge,
[2023]
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| Series: | Routledge research in music.
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| Subjects: |
MARC
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| 100 | 1 | |a Newbould, Brian, |d 1936- |e author. |0 http://id.loc.gov/authorities/names/n85038167 |1 http://isni.org/isni/0000000109088676. | |
| 245 | 1 | 0 | |a Schubert's workshop. |n Volume 1, |p Towards an early maturity / |c Brian Newbould. |
| 246 | 3 | 0 | |a Towards an early maturity. |
| 264 | 1 | |a New York, NY : |b Routledge, |c [2023] | |
| 300 | |a 1 online resource (xviii, 240 pages) | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 490 | 1 | |a Routledge Research in Music. | |
| 505 | 0 | |a Chapter 1: ToolsChapter 2: ApprenticeshipChapter 3: ThemeChapter 4: DevicesChapter 5: CounterpointChapter 6: Harmonic StrategyChapter 7: The Diminished SeventhChapter 8: The Augmented SixthChapter 9: Harmonic FingerprintsChapter 10: DissonanceChapter 11: Major and MinorChapter 12: The Cadential Six-FourChapter 13: The Stepping BassChapter 14: PhraseologyChapter 15: TextureChapter 16: Concerto?Chapter 17: OrchestrationChapter 18: The ExcursionChapter 19: The Bohemian Sixth and a Matter of LegacyChapter 20: The Tonally-enriched ExpositionChapter 21: Metrical ConcernsChapter 22: The Back-Bonded Third BarChapter 23: Triads and Tonics. | |
| 500 | |a Includes indexes. | ||
| 520 | |a Schubert⁰́₉s Workshop offers a fresh study of the composer⁰́₉s compositional technique and its development, rooted in the author⁰́₉s experience of realising performing versions of Franz Schubert⁰́₉s unfinished works. Through close examination of Schubert⁰́₉s use of technical and structural devices, Brian Newbould demonstrates that Schubert was much more technically innovative than has been supposed, and argues that the composer⁰́₉s technical discoveries constitute a rich legacy of specific influences on later composers. Providing rich new insights into the creative practice of one of the major figures of classical music, this two-volume study reframes our understanding of Schubert as an innovator who constantly pushed at the frontiers of style and expression. | ||
| 545 | 0 | |a Brian Newbould is a musicologist whose completions of several unfinished symphonies and other works by Schubert are played, broadcast and recorded worldwide. He has lectured in the North and South Americas, the Antipodes, and across Europe and Scandinavia. Schubert's Workshop is his third book on this composer. | |
| 588 | 0 | |a Publisher supplied information. | |
| 600 | 1 | 0 | |a Schubert, Franz, |d 1797-1828 |x Criticism and interpretation. |
| 650 | 0 | |a Music |y 19th century |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2001000179. | |
| 830 | 0 | |a Routledge research in music. |0 http://id.loc.gov/authorities/names/no2011187451. | |
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