Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / William E. Caplin.
Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, M...
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Full Text (via ACLS) |
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| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
New York :
Oxford University Press,
1998.
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| Series: | ACLS Humanities E-Book.
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| Subjects: |
MARC
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| 100 | 1 | |a Caplin, William Earl, |d 1948- |e author. |0 http://id.loc.gov/authorities/names/n90628011 |1 http://isni.org/isni/0000000110853937. | |
| 245 | 1 | 0 | |a Classical form : |b a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / |c William E. Caplin. |
| 264 | 1 | |a New York : |b Oxford University Press, |c 1998. | |
| 300 | |a 1 online resource (xii, 307 pages) : |b music. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 347 | |a data file |2 rda. | ||
| 380 | |a Bibliography. | ||
| 505 | 0 | |a 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form. | |
| 504 | |a Includes bibliographical references (pages 289-292) and index. | ||
| 520 | |a Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven. | ||
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Beethoven, Ludwig van, |d 1770-1827 |x Criticism and interpretation. |
| 650 | 0 | |a Musical form. |0 http://id.loc.gov/authorities/subjects/sh85088959. | |
| 650 | 0 | |a Instrumental music |y 18th century |x Analysis, appreciation. | |
| 650 | 0 | |a Instrumental music |y 19th century |x Analysis, appreciation. | |
| 650 | 0 | |a Musical analysis. |0 http://id.loc.gov/authorities/subjects/sh85088952. | |
| 650 | 0 | |a Classicism in music. |0 http://id.loc.gov/authorities/subjects/sh85026717. | |
| 650 | 0 | |a Music theory |x History |y 20th century. |0 http://id.loc.gov/authorities/subjects/sh85088834. | |
| 600 | 1 | 7 | |a Beethoven, Ludwig van, |d 1770-1827. |2 fast |0 (OCoLC)fst00042803. |
| 600 | 1 | 7 | |a Haydn, Joseph, |d 1732-1809. |2 fast |0 (OCoLC)fst00040899. |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |2 fast |0 (OCoLC)fst00050702. |
| 650 | 7 | |a Classicism in music. |2 fast |0 (OCoLC)fst00863566. | |
| 650 | 7 | |a Instrumental music |x Analysis, appreciation. |2 fast |0 (OCoLC)fst00974415. | |
| 650 | 7 | |a Music theory. |2 fast |0 (OCoLC)fst01030620. | |
| 650 | 7 | |a Musical analysis. |2 fast |0 (OCoLC)fst01030696. | |
| 650 | 7 | |a Musical form. |2 fast |0 (OCoLC)fst01030718. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628. | |
| 776 | 0 | 8 | |i Print version: |a Caplin, William Earl, 1948- |t Classical form. |d New York : Oxford University Press, 1998 |w (DLC) 97025561. |
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