Wagner's melodies [electronic resource] : aesthetics and materialism in German musical identity / David Trippett.
Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispens...
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Full Text (via ACLS) |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York :
Cambridge University Press,
2013.
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| Subjects: |
MARC
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| 100 | 1 | |a Trippett, David, |d 1980- |e author. |0 http://id.loc.gov/authorities/names/n2012054093. | |
| 245 | 1 | 0 | |a Wagner's melodies |h [electronic resource] : |b aesthetics and materialism in German musical identity / |c David Trippett. |
| 260 | |a New York : |b Cambridge University Press, |c 2013. | ||
| 300 | |a 1 online resource : |b illustrations. | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a German melody -- Melodielehre? -- Wagner in the melodic workshop -- Excursus : Bellini's Sinnlichkeit, Wagner's Italy -- Hearing voices : Wilhelmine Schroder-Devrient and the Lohengrin recitatives -- Vowels, voices, and "original truth" -- Wagner's material expression. | |
| 520 | |a Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics. | ||
| 588 | 0 | |a Print version record. | |
| 600 | 1 | 0 | |a Wagner, Richard, |d 1813-1883 |x Criticism and interpretation. |
| 650 | 0 | |a Music |y 19th century |x Philosophy and aesthetics. |0 http://id.loc.gov/authorities/subjects/sh2010102764. | |
| 650 | 0 | |a Melody. |0 http://id.loc.gov/authorities/subjects/sh85083437. | |
| 600 | 1 | 7 | |a Wagner, Richard, |d 1813-1883. |2 fast |0 (OCoLC)fst00040723. |
| 650 | 7 | |a Melody. |2 fast |0 (OCoLC)fst01015790. | |
| 650 | 7 | |a Music |x Philosophy and aesthetics. |2 fast |0 (OCoLC)fst01030408. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
| 776 | 0 | 8 | |i Print version: |a Trippett, David, 1980- |t Wagner's melodies. |d New York : Cambridge University Press, 2013 |z 9781107014305 |w (DLC) 2012034001 |w (OCoLC)808245183. |
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