La damnation de Faust / Hector Berlioz.
Playing out across the plains of Hungary, throughout the German city of Leipzig, and in both the depths of Hell and the celestial heights of Heaven, Berlioz's La Damnation de Faust is one of the most monumental works in the operatic and symphonic canon. For the work's1846 world premiere in...
Saved in:
| Online Access: |
Streaming Audio (via Met Opera) |
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| Corporate Author: | |
| Other Authors: | , , , , |
| Format: | Audio |
| Language: | French |
| Published: |
[New York, New York] :
[Metropolitan Opera],
[2020]
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| Subjects: |
MARC
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| 100 | 1 | |a Berlioz, Hector, |d 1803-1869, |e composer. | |
| 245 | 1 | 3 | |a La damnation de Faust / |c Hector Berlioz. |
| 264 | 1 | |a [New York, New York] : |b [Metropolitan Opera], |c [2020] | |
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| 505 | 0 | 0 | |t Part I: Le vieil hiver a fait place au printemps -- |t Part I: Les bergers quittent leurs troupeaux -- |t Part I: Mais d'un éclat guerrier les campagnes se parent -- |t Part I: Hungarian March -- |t Part II: Sans regrets j'ai quitté les riantes campagnes -- |t Part II: Christ, vient de ressusciter! -- |t Part II: O pure émotion! Enfant du saint parvis! -- |t Part II: A boire encor! -- |t Part II: Certain rat, dans une cuisine -- |t Part II: Amen, Amen! -- |t Part II: Une puce gentille -- |t Part II: Voici des roses -- |t Part II: Dors! Heureux Faust -- |t Part II: Dance of the Sylphs -- |t Part II: Margarite! Qu'ai-je vu? -- |t Part II: Villes entourées de murs et remparts -- |t Part III: Prelude -- |t Part III: Merci, doux crépuscule! -- |t Part III: Je l'entends! - Que l'air est étouffant -- |t Part III: Autrefois un roi de Thulé -- |t Part III: Esprits des flammes inconstantes -- |t Part III: Minuet of the Will-O' -The Wisps -- |t Part III: Devant la maison -- |t Part III: Grands dieux! -- |t Part III: Allons, il est trop tard! -- |t Part IV: D'amour l'ardente flamme -- |t Part IV: Au son des prompettes -- |t Part IV: Nature immense -- |t Part IV: A la voúte azurée -- |t Part IV: Dans mon coeur retentit sa voix -- |t Part IV: Ha! Irimiru Karabrao! -- |t Part IV: Alors, l'enfer se tut -- |t Part IV: Laus! Hosanna! |
| 511 | 0 | |a Elīna Garanča, Michael Spyres, Ildar Abdrazakov ; Metropolitan Opera Orchestra and Chorus ; Edward Gardner, conductor. | |
| 518 | |o Recorded live |d 2020 |p the Metropolitan Opera, New York, New York. | ||
| 520 | |a Playing out across the plains of Hungary, throughout the German city of Leipzig, and in both the depths of Hell and the celestial heights of Heaven, Berlioz's La Damnation de Faust is one of the most monumental works in the operatic and symphonic canon. For the work's1846 world premiere in Paris, the theatrical and financial challenges of getting the piece to the stage necessitated a concert presentation, and no one attempted a fully staged (albeit abridged) production until 1893, almost 24 years after the composer's death. During the 2019-20 season, the Met initially intended to revive director Robert Lepage's innovative staging of the opera, but due to unanticipated technical challenges, the company instead opted to perform the piece in a concert setting. Far from lessening the impact of this sumptuous and rousing work, concert performances offered audiences the opportunity to focus even more closely on the musical intricacies of the kaleidoscopic score. In this radio broadcast from that run of performances, Edward Gardner conducts an electrifying account of Berlioz's monumental opus, leading tenor Michael Spyres in his debut season as Faust, mezzo-soprano Elīna Garanča as Marguerite, and bass Ildar Abdrazakov as Méphistophélès. | ||
| 546 | |a Sung in French. | ||
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| 700 | 1 | |a Garanča, Elīna, |d 1976- |e performer. | |
| 700 | 1 | |a Spyres, Michael, |e performer. | |
| 700 | 1 | |a Abdrazakov, Ilʹdar, |d 1976- |e performer. | |
| 700 | 1 | |a Gardner, Edward, |d 1974- |e conductor. | |
| 710 | 2 | |a Metropolitan Opera (New York, N.Y.), |e performer. | |
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