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00000pam a2200000 a 4500 |
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b2706147 |
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CoU |
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19970821165416.0 |
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960220s1997 nyug b 001 0 eng |
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|a 96006341
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|a 0195097084
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|a (OCoLC)ocm34318541
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|a DLC
|c DLC
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049 |
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|a CODW
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0 |
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|a ML457
|b .S52 1997
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050 |
0 |
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|a ML457
|b .S52 1997
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100 |
1 |
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|a Sherman, Bernard D.
|0 http://id.loc.gov/authorities/names/n96016413
|1 http://isni.org/isni/0000000044571789.
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245 |
1 |
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|a Inside early music :
|b conversations with performers /
|c Bernard D. Sherman.
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260 |
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|a New York :
|b Oxford University Press,
|c 1997.
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300 |
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|a xi, 414 pages :
|b music ;
|c 25 cm.
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336 |
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|a text
|b txt
|2 rdacontent.
|
337 |
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|a unmediated
|b n
|2 rdamedia.
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338 |
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|a volume
|b nc
|2 rdacarrier.
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504 |
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|a Includes bibliographical references and index.
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505 |
0 |
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|a A different sense of time: Marcel peres on plainchant -- You can't sing a footnote: Susan Hellauer on performing medieval music -- Vox feminae: Barbara Thornton on Hildegard of Bingen -- The colonozing ear: Christopher Page on medieval music -- There is no such thing as a norm: Paul Hillier on renaissance sacred music -- Other kinds of beauty: Peter Phillips on the Tallis Scholars and Palestrina -- Singing like a native: Alan Curtis, Rinaldo Alessandrini, and Anthony Rooley on Monteverdi -- Emotional logic: Andrew Lawrence-King on renaissance instrumental music and improvisation -- Consistent inconsistencies: John Butt on Bach -- "One should not make a rule": Gustav Leonhardt on baroque keyboard playing -- Aladdin's lamp: Anner Bylsma on the cello (and Vivaldi, and Brahms) -- Beyond the beautiful pearl: Julianne Baird on baroque singing -- You can never be right for all time: Nicholas McGegan on Handel -- At home with the idiom: William Christie on the French baroque -- Triple counterpoint: Jeffrey Thomas, Philippe Herreweghe, and John Butt on singing Bach -- Restoring ingredients: Malcom Bilson on the fortepiano -- Speaking Mozart's lingo: Robert Levin on Mozart and improvisation -- Taking music off the pedestal: Roger Nirrington on Beethoven -- Reviving idiosyncrasies: John Eliot Gardiner on Berlioz and Brahms -- Reinventing wheels: Joshua Rifkin on interpretation and rhetoric.
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650 |
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|a Performance practice (Music)
|0 http://id.loc.gov/authorities/subjects/sh89003980.
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650 |
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|a Style, Musical.
|0 http://id.loc.gov/authorities/subjects/sh85129380.
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650 |
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|a Musicians
|v Interviews.
|0 http://id.loc.gov/authorities/subjects/sh2008108144.
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907 |
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|a .b27061474
|b 03-18-20
|c 07-29-97
|
998 |
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|a mus
|b 09-12-97
|c d
|d m
|e -
|f eng
|g nyu
|h 0
|i 2
|
907 |
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|a .b27061474
|b 11-23-14
|c 07-29-97
|
944 |
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|a MARS - RDA ENRICHED
|
907 |
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|a .b27061474
|b 02-27-13
|c 07-29-97
|
907 |
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|a .b27061474
|b 10-27-99
|c 07-29-97
|
946 |
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|a jg
|
999 |
f |
f |
|i 19ba8218-efa3-5fe6-b97c-1c300c3630c1
|s d5962bc1-57e6-573a-8acf-83cb11b599f1
|
952 |
f |
f |
|p Can circulate
|a University of Colorado Boulder
|b Boulder Campus
|c Music
|d Music Library - Stacks
|e ML457 .S52 1997
|h Library of Congress classification
|i book
|m U183023284160
|n 1
|