Inside early music : conversations with performers / Bernard D. Sherman.
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| Format: | Book |
| Language: | English |
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New York :
Oxford University Press,
1997.
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Table of Contents:
- A different sense of time: Marcel peres on plainchant
- You can't sing a footnote: Susan Hellauer on performing medieval music
- Vox feminae: Barbara Thornton on Hildegard of Bingen
- The colonozing ear: Christopher Page on medieval music
- There is no such thing as a norm: Paul Hillier on renaissance sacred music
- Other kinds of beauty: Peter Phillips on the Tallis Scholars and Palestrina
- Singing like a native: Alan Curtis, Rinaldo Alessandrini, and Anthony Rooley on Monteverdi
- Emotional logic: Andrew Lawrence-King on renaissance instrumental music and improvisation
- Consistent inconsistencies: John Butt on Bach
- "One should not make a rule": Gustav Leonhardt on baroque keyboard playing
- Aladdin's lamp: Anner Bylsma on the cello (and Vivaldi, and Brahms)
- Beyond the beautiful pearl: Julianne Baird on baroque singing
- You can never be right for all time: Nicholas McGegan on Handel
- At home with the idiom: William Christie on the French baroque
- Triple counterpoint: Jeffrey Thomas, Philippe Herreweghe, and John Butt on singing Bach
- Restoring ingredients: Malcom Bilson on the fortepiano
- Speaking Mozart's lingo: Robert Levin on Mozart and improvisation
- Taking music off the pedestal: Roger Nirrington on Beethoven
- Reviving idiosyncrasies: John Eliot Gardiner on Berlioz and Brahms
- Reinventing wheels: Joshua Rifkin on interpretation and rhetoric.