Photo-texts : contemporary French writing of the photographic image / Andy Stafford.
What do photographs want? Do they need any accompaniment in today's imagesaturated Saturated Society? Can Writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other Other? --
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Liverpool :
Liverpool University Press,
2010.
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| Series: | Contemporary French and francophone cultures ;
14. |
| Subjects: |
MARC
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| 100 | 1 | |a Stafford, Andy. |0 http://id.loc.gov/authorities/names/no98101719 |1 http://isni.org/isni/0000000139510778. | |
| 245 | 1 | 0 | |a Photo-texts : |b contemporary French writing of the photographic image / |c Andy Stafford. |
| 260 | |a Liverpool : |b Liverpool University Press, |c 2010. | ||
| 300 | |a ix, 246 pages : |b illustrations ; |c 24 cm. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a unmediated |b n |2 rdamedia. | ||
| 338 | |a volume |b nc |2 rdacarrier. | ||
| 490 | 1 | |a Contemporary French and francophone cultures ; |v 14. | |
| 504 | |a Includes bibliographical references (pages 224-238) and index. | ||
| 520 | |a What do photographs want? Do they need any accompaniment in today's imagesaturated Saturated Society? Can Writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other Other? -- | ||
| 520 | |a Taking nine case studies from the 1990s' French-speaking world (from France, North Africa and the Caribbean), this book attempts to define the interaction between non-fictional written text (caption, essay, fragment, poem) and photographic image. Having considered three categories of ̀intermediality' between text and photography-the collaborative, the self-collaborative and the retrospective-the book concludes that the dimensions of their interaction are not simple and twofold (Visuality versus/alongside textuality), but threefold and therefore ̀complex' Thus, the photo-text, as defined here, is concerned as much with orality-the demotic, the popular, the vernacular-as it is with visual and written culture, the way in which text-image collaborations give space to the spoken, spectral traces of human discourse suggests that the key element of the photo-text is its radical provisionality. --Book Jacket. | ||
| 650 | 0 | |a Photobooks |z French-speaking countries. | |
| 650 | 0 | |a Photograph captions. |0 http://id.loc.gov/authorities/subjects/sh2002000621. | |
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| 830 | 0 | |a Contemporary French and francophone cultures ; |v 14. |0 http://id.loc.gov/authorities/names/no2005049199. | |
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