Dear images : art, copyright and culture / edited by Daniel McClean and Karsten Schubert.

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Bibliographic Details
Other Authors: McClean, Daniel, Schubert, Karsten
Format: Book
Language:English
Published: London : Ridinghouse : ICA, 2002.
Subjects:
Table of Contents:
  • Foreword / Philip Dodd, Director, Institute of Contemporary Arts, London
  • Introduction / Daniel McClean, Mishcon de Reya, London
  • Protection of Copyright in Art under the Copyright, Designs and Patents Act 1988 / Karen Sanig, Partner, Mishcon de Reya, London
  • Overview of U.S. Copyright Law / Donn Zaretsky, Attorney, John Silberman Associates, New York
  • Moral Rights / Ruth Redmond-Cooper, Director, Institute of Art and Law, Leicester
  • Breaking Down the Borders : International Copyright Conventions and jurisdiction / Brett Rowland, Partner, Lovells ; MervynFlatt, Lovells ; Samantha McGonigle, Lovells
  • Graves' Case and Copyright in Photographs : Bridgeman v. Corel (USA) / Simon Stokes , Partner, Tarlo Lyons, London
  • Fair Dealing: Section 30(1) of the Copyright, Designs and Patents Act 1988 and the Case of Matisse v. Phaidon / Suzanne Garben, Junior Partner, Denton Wilde Sapte, London, Ruth Hoy, Denton Wilde Sapte, London
  • Copyright, Art and Digitisation : European & U.K. Perspectives / Simon Stokes, Partner, Tarlo Lyons, London
  • Art, Internet, and U.S. Copyright Law / Carla J. Shapreau, Attorney, Gnazzo Thill, P.C., San Francisco
  • Copyright and the Visual Arts: Questions and Answers / Stuart Lockyear, Partner, Davenport Lyons, London
  • The Concept of Originality and Contemporary Art / Nadia Walravens, Researcher, Centre d*Etudes et de Recherche en droit de limmateriel (CERDI), University of Paris XI, Sceaux
  • Appropriation Art Fair Use or Foul? / Dr. Johnson Okpaluba, Anthony Feldman & Co, London
  • Public Access to Art, Museums, Images, and Copyright The Case of Tate / Naomi Korn, Copyright Officer, Tate, London, Peter Wienand, Partner, Farrer & Co, London
  • After Digitopia: The Internet, Copyright and Information Control / Gregor Claude, Goldsmith's College, University of London
  • Who's Painting Copyright's History? / Professor Kathy Bowrey, University of New South Wales, Australia
  • Copyright, Art, and Objecthood / Anne Barren, London School of Economics
  • Portrait of the Artist as a Brand / Professor Celia Lury, Goldsmiths' College, University of London
  • Art and the Making of Modern Copyright Law / Professor Lionel Bently, King's College, University of London
  • Copies and Translations / Richard Shone, Associate Editor, Burlington Magazine, London
  • Raphael's Shadow : On Copying and Creativity / Karsten Schubert, London
  • 'This is Not by Me' : Andy Warhol and the Question of Authorship / Dr. Andrew Wilson, Deputy Editor, Art Monthly Journal, London
  • Justifying Copyright / Dr. Michael Spence, St. Catherine's College, University of Oxford
  • Appropriating the Postmodern : Copyright and the Challenge of the New / Professor Brad Sherman, Griffith University, Brisbane, Australia
  • 'Hiroshige vs. Van Gogh' : Resolving the Dilemma of Copyright Scope in Remedying Infringement / Paul Edward Geller, Attorney, Los Angeles (Adjunct Professor, International Intellectual Property, Univ. of Southern California Law School)
  • The Future of the Copyright Exceptions / Dr. Robert BurreU, Senior Lecturer in Law, ACIPA, Australian National University
  • Art Crimes / Dr. Anthony Julius, Mishcon de Reya, London.