Table of Contents:
  • In (re)cognition of the Italian/American writer: definitions and categories
  • Tony Ardizzone's "expressive" evening news
  • Helen Barolini's "comparative: Umbertina: the Italian/American woman
  • Giose Rimanelli's "synthetic" Benedetta in Guysterland: a "liquid" novel of questionable textual boundaries
  • Looking back: the image of Italy in Umbertina
  • Gianna Patriarca's "tragic" thought: Italian women and other tragedies
  • Italian/American writer or Italian poet abroad?: Luigi Fontanella's poetic voyage
  • Italian/American cultural studies: looking forward.