Special effects : still in search of wonder / Michele Pierson.
Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Pa.
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Main Author: | |
Format: | eBook |
Language: | English |
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New York :
Columbia University Press,
©2002.
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Series: | Film and culture.
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Subjects: |
MARC
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100 | 1 | |a Pierson, Michele. |0 http://id.loc.gov/authorities/names/n2001017761 |1 http://isni.org/isni/0000000034560912. | |
245 | 1 | 0 | |a Special effects : |b still in search of wonder / |c Michele Pierson. |
260 | |a New York : |b Columbia University Press, |c ©2002. | ||
300 | |a 1 online resource (231 pages) : |b illustrations. | ||
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490 | 1 | |a Film and culture. | |
504 | |a Includes bibliographical references (pages 201-225) and index. | ||
505 | 0 | |a Acknowledgments; Introduction: Special Effects and the Popular Media; 1. Magic, Science, Art: Before Cinema; Natural Magic; Science Fictions; Scientific American; Millennial Magic; 2. From Cult-Classicism to Technofuturism: Converging on Wired Magazine; The Limits of Convergence; Photon and Stop-Motion Animation; Corporate Futurism/Technofuturism; Home Production; 3. The Wonder Years and Beyond: 1989-1995; On Genre; Reinventing the Cinema of Attractions; Digital Art Effects; Retrofuture/Retrovision; 4. Crafting a Future for CGI; The Case of Editing; Disaster Strikes. | |
505 | 8 | |a An Aesthetics of ScarcityThe Public Life of Numbers; CONCLUSION: The Transnational Matrix of SF; Notes; Bibliography; Index. | |
520 | |a Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Pa. | ||
588 | 0 | |a Print version record. | |
650 | 0 | |a Science fiction films |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2008111318. | |
650 | 0 | |a Science fiction. |0 http://id.loc.gov/authorities/subjects/sh85118629. | |
650 | 0 | |a Cinematography |x Special effects. |0 http://id.loc.gov/authorities/subjects/sh85026023. | |
650 | 7 | |a Cinematography |x Special effects. |2 fast |0 (OCoLC)fst00861506. | |
650 | 7 | |a Science fiction. |2 fast |0 (OCoLC)fst01108566. | |
650 | 7 | |a Science fiction films. |2 fast |0 (OCoLC)fst01108616. | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
776 | 0 | 8 | |i Print version: |a Pierson, Michele. |t Special effects. |d New York : Columbia University Press, ©2002 |z 0231125623 |w (DLC) 2001055263 |w (OCoLC)48397478. |
830 | 0 | |a Film and culture. |0 http://id.loc.gov/authorities/names/n92059833. | |
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