Sinfonía Buenos Aires [electronic resource] / Piazzolla.
In the Sinfonía Buenos Aires, Piazzolla's development of symphonic tango is notable for brilliant, original and often complex orchestration. His Bandoneon Concerto, nicknamed "Aconcagua" after the highest Andean mountain, provides the soloist with ample opportunities for drama, pathos...
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| Online Access: |
Online Access |
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| Main Author: | |
| Corporate Author: | |
| Other Authors: | , , , |
| Other title: | Orchestra music. Selections. |
| Format: | Electronic Audio |
| Language: | No linguistic content |
| Published: |
[Hong Kong] :
Naxos,
p2010.
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| Series: | Latin American classics (Naxos (Sound recording label))
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| Subjects: |
| Summary: | In the Sinfonía Buenos Aires, Piazzolla's development of symphonic tango is notable for brilliant, original and often complex orchestration. His Bandoneon Concerto, nicknamed "Aconcagua" after the highest Andean mountain, provides the soloist with ample opportunities for drama, pathos and virtuosity. Las Cuatro Estaciones Portenas (The Four Seasons of Buenos Aires), a series of single tango movements with several references to Vivaldi's famous work, is a vivid sequence in which the changing moods of the seasons are expressed by means of an almost limitless emotional range and depth. |
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| Item Description: | The 3rd work originally for bandoneon, electric guitar, violin, double bass, and piano. |
| Physical Description: | 1 online resource (1 sound file) |
| Playing Time: | 00:26:20 00:24:58 00:28:20 |
| Participant or Performer: | Daniel Binelli, bandoneon ; Tianwa Yang, violin ; Nashville Symphony Orchestra ; Giancarlo Guerrero, conductor. |
| Source of Description, Etc. Note: | Description based on hard copy version record. |
| Date/Time and Place of an Event Note: | Recorded Nov. 21-22, 2009, Laura Turner Concert Hall, Schermerhorn Symphony Center, Nashville, Tenn. |