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20141014231758.0 |
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140804s2014 enk b 001 0 eng |
| 010 |
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|a 2014023569
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| 019 |
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|a 883513120
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| 020 |
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|a 9781137338921
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| 020 |
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|a 113733892X
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| 035 |
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|a (OCoLC)ocn885313160
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| 035 |
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|a (OCoLC)885313160
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| 040 |
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|a DLC
|b eng
|e rda
|c DLC
|d YDX
|d YDXCP
|d CDX
|d UKMGB
|d BDX
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|a pcc
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| 049 |
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|a CODA
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| 050 |
0 |
0 |
|a PN1996
|b .S37235 2014
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| 245 |
0 |
0 |
|a Screenwriters and screenwriting :
|b putting practice into context /
|c edited by Craig Batty, School of Media and Communication, RMIT University, Melbourne, Australia.
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| 264 |
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1 |
|a Houndmills, Basingstoke, Hampshire ;
|a New York :
|b Palgrave Macmillan,
|c 2014.
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| 300 |
|
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|a xvi, 301 pages ;
|c 23 cm.
|
| 336 |
|
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|a text
|b txt
|2 rdacontent.
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia.
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| 338 |
|
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|a volume
|b nc
|2 rdacarrier.
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Introduction -- Screenwriters and their screenplays. White space: an approach to the practice of screenwriting as poetry / Elisabeth Lewis Corley and Joseph Megel -- Narrating voices in the screenplay text: how the writer can direct the reader's visualisations of the potential film / Ann Ingelstrom -- Writing horror: blending theory with practice / Shaun Kimber -- Beyond the screenplay: memoir and family relations in three films by Gaylene Preston / Hester Joyce -- Costume as character arc: how emotional transformation is written into the dressed body / Craig Batty -- Screenwriting and the development process. Developing the screenplay: stepping into the unknown / Margot Nash -- "The Irish Film Board: gatekeeper or facilitator?: the experience of the Irish screenwriter / Døóg O'Connell -- First impressions: debut features by Irish screenwriters / Susan Liddy -- "Sorry blondie, I don't do backstory!" script editing: the invisible craft / Paul Wells -- Scripting the real: Mike Leigh's practice as antecedent to contemporary reality tv texts the only way is Essex and made in Chelsea / Peri Bradley -- Screenwriting and authorship. Based on a true story: negotiating collaboration, compromise and authorship in the script development process / Alec McAulay -- Sarah Phelps on writing television: adaptation, collaboration, and the screenwriter's voice / Kate Iles -- Working the writers' room: the context, the creative space and the collaborations of Danish television series Borgen / Eva Novrup Redvall -- And the screenwriter created man: male characterisation in bromance and bromedy / Helen Jacey -- Gals who make the jokes: feature film screenwriting for the satirical female voice / Marilyn Tofler -- Self-reflexive screenwriting and LGBT identity: framing and indirectly reading the self / Christopher Pullen.
|
| 650 |
|
0 |
|a Motion picture authorship.
|0 http://id.loc.gov/authorities/subjects/sh85088030.
|
| 650 |
|
0 |
|a Motion picture plays
|x Technique.
|0 http://id.loc.gov/authorities/subjects/sh85088066.
|
| 700 |
1 |
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|a Batty, Craig,
|e editor.
|0 http://id.loc.gov/authorities/names/no2010022602
|1 http://isni.org/isni/000000007695555X.
|
| 907 |
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|a .b78334251
|b 03-19-20
|c 10-23-14
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|b 10-28-14
|c x
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|f eng
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|h 0
|i 1
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| 907 |
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|a .b78334251
|b 11-03-14
|c 10-23-14
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| 944 |
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|a MARS - RDA ENRICHED
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| 907 |
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|b 10-28-14
|c 10-23-14
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| 952 |
f |
f |
|p Can circulate
|a University of Colorado Boulder
|b Boulder Campus
|c Norlin
|d Norlin Library - Stacks
|e PN1996 .S37235 2014
|h Library of Congress classification
|i book
|m U183070415372
|n 1
|
