Performing new media, 1890-1915 / edited by Kaveh Askari, Scott Curtis, Frank Gray, Louis Pelletier, Tami Williams and Joshua Yumibe.
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| Other Authors: | , , , , , |
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| Format: | Book |
| Language: | English French |
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New Barnet, Herts :
John Libbey Publishing Ltd,
[2014]
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| Subjects: |
Table of Contents:
- Part I. Performing on the screen : actors and personalities
- Lois Weber at Rex : performing femininity across media / Shelley Stamp
- Diva intermedial : Lyda Borelli between art, photography, theatre and cinema / Ivo Blom
- Why sue "Little Mary?" : how Independent Moving Pictures Company of America v Gladys Smith and Owen Moore (1911) defined celebrity and professionalism for film actors / Leslie Midkiff DeBauche
- Camera distance and acting in the Griffith Biography / Charles O'Brien
- Performance times : the lightning cartoon and the emergence of animation / Malcolm Cook
- La transparence du Fregoligraph en question / Frédéric Tabet
- In the flesh : personal appearances and the picture personality in Britain / Chris O'Rourke
- Performers : now synchronised on screen / Ian Christie
- Part II. Performing beside the screen : narrators, showmen, and musicians
- Missing believed lost : the film narrator, then and now / Martin Loiperdinger
- Standards of practice in transition : the showmanship of Jasper Redfern as it emerged / Peter Walsh
- Showmanship skills and the changing role of the exhibitor in 1910s Scotland / María Antonia Vélez-Serna
- Showing film in winter (1904-1906) : Alberts Frères' film galas in Dutch multi-purpose buildings / Ansje van Beusekom
- Performing new media and the creation of national identity : Kräusslich and Köpke in Norway before 1910 / Gunnar Iversen
- Music programming and the formation of Swedish cinema culture / Christopher Natzén
- "Marvelous and fascinating" : L. Frank Baum's Fairylogue and radio-plays (1908) / Artemis Willis
- The multiple media lecture : Racing with death in Antarctic blizzards (1915) / Gregory A. Waller
- Part III. Performing with the screen : audiences, educators and officials
- Kinoreformbewegung revisited : performing the cinematograph as a pedagogical tool / Frank Kessler and Sabine Lenk
- Health on display : the Panama-Pacific International Exposition as sanitary venue / Marina Dahlquist
- Lyrical education : music and colour in early non-fiction film / Jennifer Peterson
- "Offensive and riotous behaviour"? Performing the role of an audience in Irish cinema of the mid-1910s / Denis Condon
- Tango mad and affected by cinematographitis : rhythmic "contagions" between screens and audiences in the 1910s / Kristina Köhler
- Part IV. Intermedial performance
- Screening sensations and live performance : the creative blending of traditional and new projected media at the start of the twentieth century / Ludwig Maria Vogl-Bienek -Le spectacle de lanterne magique considèrè sous l'angle de la conférence : quelques traces écrites d'une performance orale / Alain Boillat
- Getting to know the Dutch : magic lantern slides as traces of intermedial performance practices / Sarah Dellmann
- 20 minutes or less : short-form film-and-theatre hybrids : skits, sketches, playlets, and acts in vaudeville, variety, revues, &c. / Gwendolyn Waltz
- Between Karagöz and cinema : connectivity, mobility, collectivity / Canan Balan
- Entre nouveauté et continuité : le spectacle cinématographique serait-il une émergence des ombres françaises? / Thierry Lecointe
- "Performed live and talking. No kinematograph" : amateur performances of Tableaux vivants and local film exhibition in Germany around 1900 / Daniel Wiegand
- Performing painting : projected images as living pictures / Valentine Robert
- Colour as performance in visual music, film tinting and digital painting / Joshua Yumibe
- Coda
- Early cinema today and its "digital performance" : the re-discovery of The soldier's courtship (1896) / Franziska Heller.