Olafur Eliasson : Riverbed, Louisiana / edited by Michael Juul Holm and Anna Engberg-Pedersen (telephone relay) ; translations from the Danish by Glen Garner and James Manley.

Olafur Eliasson's take on Louisiana is radical, fascinating and unique. The central work in the first solo exhibition at the museum by the Danish-Icelandic artist is a huge, sitespecific project that reverses the relation between nature and art. The transitions between inside and outside, cultu...

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Bibliographic Details
Other Authors: Tøjner, Poul Erik (Interviewer), Holm, Michael Juul (Editor), Engberg-Pedersen, Anna (Editor), Garner, Glen (Translator) (Translator), Manley, James (James Alexander Kennedy) (Translator)
Other title:Riverbed, Louisiana.
Format: Book
Language:English
Danish
Published: [Humlebæk] : Louisiana Museum of Modern Art, [2014]
Subjects:

MARC

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245 1 0 |a Olafur Eliasson :  |b Riverbed, Louisiana /  |c edited by Michael Juul Holm and Anna Engberg-Pedersen (telephone relay) ; translations from the Danish by Glen Garner and James Manley. 
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500 |a Published on the occasion of the exhibition "Riverbed" held August 20, 2014-January 4, 2015. 
504 |a Includes bibliographical references. 
505 0 |a The museum walk: Ólafur Elíasson at Louisiana -- Telephone relay -- A conversation: Ólafur Elíasson & Poul Erik Tøjner -- Ólafur Elíasson & Louisiana -- Biography -- Works in the exhibition. 
520 8 |a Olafur Eliasson's take on Louisiana is radical, fascinating and unique. The central work in the first solo exhibition at the museum by the Danish-Icelandic artist is a huge, sitespecific project that reverses the relation between nature and art. The transitions between inside and outside, culture and staged nature, become fluid and transitory - and the progress of the visitor through the museum becomes a central issue. Eliasson's exhibition is an enhancement of our gaze at the museum, at ourselves and at the world. Olafur Eliasson's exhibition at Louisiana engages with the museum's unique identity. The exhibition consists of three sections that each thematize the encounter between Eliasson's art and Louisiana as a place. The central work, Riverbed (2014), is based on the unique connection between nature, architecture and art that characterizes the museum. Transforming the entire South Wing into a rocky landscape, Eliasson focuses on inhabiting space in a new way and inserts new patterns of movement into the museum. Exhibition: Louisiana Museum of Modern Art, Humlebaek, Denmark (20.08.2014-04.01.2015) 
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