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The Oxford handbook of critical improvisation studies / edited by George E. Lewis and Benjamin Piekut.

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Bibliographic Details
Other Authors: Lewis, George, 1952- (Editor), Piekut, Benjamin, 1975- (Editor)
Format: Book
Language:English
Published: New York, N.Y. ; Oxford, U.K. : Oxford University Press, [2016]
Series:Oxford handbooks.
Subjects:
Improvisation (Music)
Creation (Literary, artistic, etc.)

MARC

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245 0 4 |a The Oxford handbook of critical improvisation studies /  |c edited by George E. Lewis and Benjamin Piekut. 
264 1 |a New York, N.Y. ;  |a Oxford, U.K. :  |b Oxford University Press,  |c [2016] 
264 4 |c ©2016. 
300 |a 2 volumes :  |b illustrations ;  |c 26 cm. 
336 |a text  |b txt  |2 rdacontent. 
337 |a unmediated  |b n  |2 rdamedia. 
338 |a volume  |b nc  |2 rdacarrier. 
490 1 |a Oxford handbooks. 
500 |a Series title from dust jacket. 
504 |a Includes bibliographical references and indexes. 
505 0 0 |g V. 1.  |g Introduction:  |t On critical improvisation studies /  |r George E. Lewis and Benjamin Piekut --  |g Part I.  |t Cognitions.  |t Cognitive processes in musical improvisation /  |r Roger T. Dean and Freya Bailes --The  |t cognitive neuroscience of improvisation /  |r Aaron L. Berkowitz --  |t Improvisation, action understanding, and music cognition with and without bodies /  |r Vijay Iyer --The  |t ghost in the music, or the perspective of an improvising ant /  |r David Borgo --  |g Part II.  |t Critical theories.  |t The improvisative /  |r Tracy McMullen --  |t Jurisgenerative grammar (for alto) /  |r Fred Moten --  |t Is improvisation present? /  |r Michael Gallope --  |t Politics as hypergestural improvisation in the age of mediocracy /  |r Yves Citton --  |t On the edge: a frame of analysis for improvisation /  |r Davide Sparti --  |t The  |t Salmon of Wisdom: on the consciousness of self and other in improvised music and in the language that sets one free /  |r Alexandre Pierrepont --  |t Improvising yoga /  |r Susan Leigh Foster --  |g Part III.  |t Cultural histories.  |t Michel de Montaigne, or philosophy as improvisation /  |r Timothy Hampton --The  |t improvisation of poetry, 1750-1850: oral performance, print culture, and the modern Homer /  |r Angela Esterhammer --  |t Germaine de Staël's Corinne, or Italy and the early usage of improvisation in English /  |r Erik Simpson --  |t Improvisation, time, and opportunity in the rhetorical tradition /  |r Glyn P. Norton --  |t Improvisation, democracy, and feedback /  |r Daniel Belgrad --  |g Part IV.  |t Mobilities.  |t Improvised dance in the reconstruction of THEM /  |r Danielle Goldman --  |t Improvising social exchange: African American social dance /  |r Thomas F. DeFrantz --  |t Fixing improvisation: copyright and African American vernacular dancers in the early twentieth century /  |r Anthea Kraut --  |t Performing gender, race, and power in improv comedy /  |r Amy Seham --  |t Shifting cultivation as improvisation /  |r Paul Richards --  |g Part V.  |t Organizations.  |t Improvisation in management /  |r Paul Ingram and William Duggan --  |t Free improvisation as a path-dependent process /  |r Jared Burrows and Clyde G. Reed --  |g Part VI.  |t Philosophies.  |t Musical improvisation and the philosophy of music /  |r Philip Alperson --  |t Improvisation and time-consciousness /  |r Gary Peters --  |t Improvising Impromptu, or, What to do with a broken string /  |r Lydia Goehr --  |t Ensemble improvisation, collective intention, and group attention /  |r Garry L. Hagberg --  |t Interspecies improvisation /  |r David Rothenberg --  |t Spiritual exercises, improvisation, and moral perfectionism: with special reference to Sonny Rollins /  |r Arnold I. Davidson --  |t Improvisation and ecclesial ethics /  |r Samuel Wells -- 
505 0 0 |g V. 2.  |g Introduction:  |t On critical improvisation studies /  |r George E. Lewis and Benjamin Piekut --  |g Part I.  |t Cities.  |t Improvisation technology as mode of redesigning the urban /  |r Christopher Dell and Ton Matton --  |t Lots will vary in the available city /  |r David P. Brown --  |t Improvising the future in post-Katrina New Orleans /  |r Eric Porter --  |g Part II.  |t Creativities.  |t Billy Connolly, Daniel Barenboim, Willie Wonka, jazz bastards, and the universality of improvisation /  |r Raymond MacDonald and Graeme Wilson --  |t A computationally motivated approach to cognition studies in improvisation /  |r Brian Magerko --  |t A consciousness-based look at spontaneous creativity /  |r Ed Sarath --  |t In the beginning, there was improvisation /  |r Bruce Ellis Benson --  |g Part III.  |t Musics.  |t Landmarks in the study of improvisation: perspectives from ethnomusicology /  |r Bruno Nettl --  |t Saving improvisation: Hummel and the free fantasia in the early nineteenth century /  |r Dana Gooley --  |t Negotiating freedom and control in composition: improvisation and its offshoots, 1950-1980 /  |r Sabine Feisst --  |t Musical improvisation: play, efficacy, and significance /  |r A.J. Racy --  |t Improvisation in freestyle rap /  |r Ellie M. Hisama --  |t Speaking of the I-word /  |r Leo Treitler --  |g Part IV.  |t Writings.  |t Modernist improvisations /  |r Rob Wallace --  |t Diversity and divergence in the improvisational evolution of literary genres /  |r Jennifer D. Ryan --  |t Improvisatory practices and the dawn of the new American cinema /  |r Sara Villa --  |t Brilliant corners: improvisation and practices of freedom in Sent for you yesterday /  |r Walton Muyumba --  |t Improvisation in contemporary experimental poetry /  |r Hazel Smith --  |g Part V.  |t Media.  |t Subjective computing and improvisation /  |r D. Fox Harrell --  |t Improvisation and interaction, canons and rules, emergence and play /  |r Simon Penny --  |t Imposture as improvisation: living fiction /  |r Antoinette LaFarge --  |t Role-play, improvisation, and emergent authorship /  |r Celia Pearce --  |t Bodies, border, technology: the promise and perils of telematic improvisation /  |r Adriene Jenik --  |t She stuttered: mapping the spontaneous middle /  |r Sher Doruff --  |g Part VI.  |t Technologies.  |t Live algorithms for music: can computers be improvisers? /  |r Michael Young and Tom Blackwell --  |t Improvisation of the masses: anytime, anywhere mobile music /  |r Ge Wang. 
650 0 |a Improvisation (Music)  |0 http://id.loc.gov/authorities/subjects/sh85064678. 
650 0 |a Creation (Literary, artistic, etc.)  |0 http://id.loc.gov/authorities/subjects/sh85033827. 
650 7 |a Creation (Literary, artistic, etc.)  |2 fast  |0 (OCoLC)fst00882393. 
650 7 |a Improvisation (Music)  |2 fast  |0 (OCoLC)fst00968306. 
700 1 |a Lewis, George,  |d 1952-  |e editor.  |0 http://id.loc.gov/authorities/names/n85076534  |1 http://isni.org/isni/0000000073645142. 
700 1 |a Piekut, Benjamin,  |d 1975-  |e editor.  |0 http://id.loc.gov/authorities/names/n2010053477  |1 http://isni.org/isni/0000000120351383. 
776 0 8 |i Online version:  |t Oxford handbook of critical improvisation studies.  |d New York : Oxford University Press, 2016  |z 9780199707935  |w (DLC) 2015044217. 
830 0 |a Oxford handbooks.  |0 http://id.loc.gov/authorities/names/no2004072859. 
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