Screen presence : cinema culture and the art of Warhol, Rauschenberg, Hatoum and Gordon / Stephen Monteiro.
"Screen Presence' explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures - Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional ci...
Saved in:
| Main Author: | |
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| Format: | Book |
| Language: | English |
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Edinburgh :
Edinburgh University Press,
[2016]
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| Series: | Edinburgh studies in film and intermediality.
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| Subjects: |
MARC
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| 100 | 1 | |a Monteiro, Stephen, |e author. |0 http://id.loc.gov/authorities/names/no2016094989 |1 http://isni.org/isni/0000000431490276. | |
| 245 | 1 | 0 | |a Screen presence : |b cinema culture and the art of Warhol, Rauschenberg, Hatoum and Gordon / |c Stephen Monteiro. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2016] | |
| 264 | 4 | |c ©2016. | |
| 300 | |a 188 pages : |b illustrations ; |c 24 cm. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 336 | |a still image |b sti |2 rdacontent. | ||
| 337 | |a unmediated |b n |2 rdamedia. | ||
| 338 | |a volume |b nc |2 rdacarrier. | ||
| 490 | 1 | |a Edinburgh Studies in Film and Intermediality. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a A wider audience: Robert Rauschenberg, the White Paintings and CinemaScope -- The screen scene: Andy Warhol, the Factory and home movies -- Private dis-pleasures: Mona Hatoum, mediated bodies and the peep show -- A monument in ruins: Douglas Gordon, screen archaeology and the drive-in. | |
| 520 | 8 | |a "Screen Presence' explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures - Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through a range of new sources, including advertisements, specialty magazines, postcards, technical guides and souvenir programs, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema's shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art"-- |c Provided by publisher. | |
| 600 | 1 | 7 | |a Gordon, Douglas. |2 rero. |
| 600 | 1 | 7 | |a Hatoum, Mona. |2 rero. |
| 600 | 1 | 7 | |a Rauschenberg, Robert. |2 rero. |
| 600 | 1 | 7 | |a Warhol, Andy. |2 rero. |
| 650 | 0 | |a Art and motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85007966. | |
| 650 | 7 | |a Art and motion pictures. |2 fast |0 (OCoLC)fst00815412. | |
| 650 | 7 | |a Kunst. |2 gnd. | |
| 650 | 7 | |a Film. |2 gnd. | |
| 830 | 0 | |a Edinburgh studies in film and intermediality. |0 http://id.loc.gov/authorities/names/no2015082032. | |
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| 952 | f | f | |p Can circulate |a University of Colorado Boulder |b Boulder Campus |c Norlin |d Norlin Library - Art & Architecture Stacks |e N72.M6 M66 2016 |h Library of Congress classification |i book |m U183072374441 |n 1 |