The couch and the silver screen : psychoanalytic reflections on European cinema / edited by Andrea Sabbadini.
The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a s...
Saved in:
| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Other Authors: | |
| Format: | eBook |
| Language: | English |
| Published: |
Hove ; New York :
Brunner-Routledge,
2003.
|
| Edition: | 1st ed. |
| Series: | New library of psychoanalysis ;
44. |
| Subjects: |
MARC
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| 245 | 0 | 4 | |a The couch and the silver screen : |b psychoanalytic reflections on European cinema / |c edited by Andrea Sabbadini. |
| 250 | |a 1st ed. | ||
| 260 | |a Hove ; |a New York : |b Brunner-Routledge, |c 2003. | ||
| 300 | |a 1 online resource (xx, 258 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 347 | |a data file. | ||
| 490 | 1 | |a The new library of psychoanalysis ; |v 44. | |
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | 0 | |t Foreword / |r Laura Mulvey -- |t Introduction / |r Andrea Sabbadini -- |g SET AND STAGE -- |t Inner and outer worlds of the filmmaker's temporary social structure / |r Bernardo Bertolucci, |r Fiona Shaw, |r Chris Mawson -- |t One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / |r Ian Christie, |r Juliet Stevenson, |r Helen Taylor Robinson -- |t WORKING THROUGH TRAUMA -- |t Sons and fathers: a room of their own -- Nanni Moretti's The son's room (2001) / |r Nanni Moretti [and others] -- |t Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) / |r Jed Sekoff -- |t Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) / |r Annegret Mahler-Bungers -- |t Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation / |r Liliana Pedrón de Martín -- |t István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma / |r Diana Diamond -- |g HORROR PERSPECTIVES -- |t Notes on the relevance of psychoanalytic theory to Euro-horror cinema / |r Steven Jay Schneider -- |t Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development / |r Donald Campbell -- |t Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) / |r Candy Aubry -- |t Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) / |r Michael Grant -- |g DOCUMENTING INTERNAL WORLDS -- |t Narratives and documentaries: an encounter with Michael Apted and his films / |r Michael Apted, |r Helen Taylor Robinson -- |t Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) / |r Elizabeth Cowie -- |t Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) / |r Ljiljana Filipović -- |t Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) / |r Emanuel Berman, |r Timna Rosenheimer, |r Michal Aviad -- |t Filming psychoanalysis: feature or documentary? Two contributions / |r Hugh Brody, |r Michael Brearley. |
| 520 | |a The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema. The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and h. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Motion pictures |z Europe |x Psychological aspects. | |
| 650 | 0 | |a Psychoanalysis and motion pictures. | |
| 650 | 0 | |a Psychoanalytic interpretation. | |
| 651 | 0 | |a Europe. | |
| 650 | 7 | |a Psychoanalytic interpretation. |2 fast |0 (OCoLC)fst01081298. | |
| 650 | 7 | |a Motion pictures |x Psychological aspects. |2 fast |0 (OCoLC)fst01027364. | |
| 650 | 7 | |a Psychoanalysis and motion pictures. |2 fast |0 (OCoLC)fst01081275. | |
| 651 | 7 | |a Europe. |2 fast |0 (OCoLC)fst01245064. | |
| 700 | 1 | |a Sabbadini, Andrea. | |
| 776 | 0 | 8 | |i Print version: |t Couch and the silver screen. |b 1st ed. |d Hove ; New York : Brunner-Routledge, 2003 |w (DLC) 2003004236. |
| 830 | 0 | |a New library of psychoanalysis ; |v 44. | |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/ucb/detail.action?docID=242142 |z Full Text (via ProQuest) |
| 907 | |a .b96160950 |b 02-20-23 |c 10-03-17 | ||
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| 952 | f | f | |p Can circulate |a University of Colorado Boulder |b Online |c Online |d Online |e PN1993.5.E8 C68 2003eb |h Library of Congress classification |i web |n 1 |