Authorship in film adaptation / edited and with an introduction by Jack Boozer.
Opening a new area in the study of film adaptation, 12 scholars investigate the crucial role of the screenplay in transforming written narratives into film.
Saved in:
| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Other Authors: | |
| Format: | eBook |
| Language: | English |
| Published: |
Austin :
University of Texas Press,
2008.
|
| Edition: | 1st ed. |
| Subjects: |
MARC
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| 245 | 0 | 0 | |a Authorship in film adaptation / |c edited and with an introduction by Jack Boozer. |
| 250 | |a 1st ed. | ||
| 260 | |a Austin : |b University of Texas Press, |c 2008. | ||
| 300 | |a 1 online resource (viii, 341 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 347 | |a data file. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Mildred Pierce : a troublesome property to script / Albert J. Lavalley -- Hitchcock and his writers : authorship and authority in adaption / Thomas Leitch -- From Traumnovelle (1927) to script to screen : Eyes wide shut (1999) / Jack Boozer -- Private knowledge, public space : investigation and navigation in Devil in a blue dress / Mark L. Berrettini -- "Strange and new-- " : subjectivity and the ineffable in The sweet hereafter / Ernesto R. Acevedo-Muñoz -- Adaptation as adaptation : from Susan Orlean's The orchid thief to Charlie (and "Donald") Kaufman's screenplay to Spike Jonze's film / Frank P. Tomasulo -- From obtrusive narration to crosscutting : adapting the doubleness of John Fowles's The French lieutenant's woman / R. Barton Palmer -- The three faces of Lolita, or how I learned to stop worrying and love the adaptation / Rebecca Bell-Metereau -- Traffic/Traffik : race, globalization, and family in Soderbergh's remake / Mark Gallagher -- Adapting Nick Hornby's High fidelity : process and sexual politics / Cynthia Lucia -- Adaptable Bridget : generic intertextuality and postfeminism in Bridget Jones's diary / Shelley Cobb -- "Who's your favorite Indian?" : the politics of representation in Sherman Alexie's short stories and screenplay / Elaine Roth. | |
| 520 | 8 | |a Opening a new area in the study of film adaptation, 12 scholars investigate the crucial role of the screenplay in transforming written narratives into film. | |
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Film adaptations. | |
| 650 | 0 | |a Motion picture authorship. | |
| 650 | 7 | |a Film adaptations. |2 fast |0 (OCoLC)fst00924250. | |
| 650 | 7 | |a Motion picture authorship. |2 fast |0 (OCoLC)fst01027122. | |
| 655 | 7 | |a Film adaptations. |2 fast |0 (OCoLC)fst01710491. | |
| 700 | 1 | |a Boozer, Jack, |d 1944- | |
| 776 | 0 | 8 | |i Print version: |t Authorship in film adaptation. |b 1st ed. |d Austin : University of Texas Press, 2008 |z 9780292702851 |z 029270285X |w (DLC) 2007049228 |w (OCoLC)179786755. |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/ucb/detail.action?docID=3443386 |z Full Text (via ProQuest) |
| 907 | |a .b96192446 |b 02-20-23 |c 10-03-17 | ||
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