Political performances : theory and practice / edited by Susan C. Haedicke [and others].
Political Performances: Theory and Practice emerges from the work of the Political Performances Working Group of the International Federation for Theatre Research/Fédération Internationale pour la Recherche de Théâtrale. The collection of essays strives to interrogate definitions and expand boun...
Saved in:
| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Other Authors: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam ; New York, NY :
Rodopi,
2009.
|
| Series: | Themes in theatre ;
4. |
| Subjects: |
MARC
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| 245 | 0 | 0 | |a Political performances : |b theory and practice / |c edited by Susan C. Haedicke [and others]. |
| 260 | |a Amsterdam ; |a New York, NY : |b Rodopi, |c 2009. | ||
| 300 | |a 1 online resource (379 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Themes in theatre ; |v 4 | |
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Political Performances: Theory and Practice emerges from the work of the Political Performances Working Group of the International Federation for Theatre Research/Fédération Internationale pour la Recherche de Théâtrale. The collection of essays strives to interrogate definitions and expand boundaries of political performance. | |
| 505 | 0 | |a TABLE OF CONTENTS; MAPPING POLITICAL PERFORMANCES: A NOTE ON THE STRUCTURE OF THE ANTHOLOGY; INTRODUCTION; PART ONE: QUERIES; WITNESSES IN THE PUBLIC SPHERE: BLOODY SUNDAY AND THE REDEFINITION OF POLITICAL THEATRE; ORALITY AND THE ETHICS OF OWNERSHIP IN COMMUNITY-BASED DRAMA; THE THÉÂTRE DU SOLEIL'S TRAJECTORY FROM "PEOPLE'S THEATRE" TO "CITIZEN THEATRE:" INVOLVEMENT OR RENUNCIATION?; WAYS OF UNSEEING: GLASS WALL ON THE MAIN STAGE; TO ABSENT FRIENDS: ETHICS IN THE FIELD OF AUTO/BIOGRAPHY; PART TWO: TEXTS; READING THE BLACKS THROUGH THE 1956 PREFACE: POLITICS AND BETRAYAL | |
| 505 | 8 | |a BARBARIANS AND BABES: A FEMINIST CRITIQUE OF A POSTCOLONIAL PERSIANSPERFORMING STEREOTYPES AT HOME AND ABROAD; THE COMEBACK OF POLITICAL DRAMA IN CROATIA: OR HOW TO KILL A PRESIDENT BY MIRO GAVRAN; LOCAL KNOWLEDGES, MEMORIES, AND COMMUNITY: FROM ORAL HISTORY TO PERFORMANCE; PART THREE: CONTEXTS; MODALITIES OF ISRAELI POLITICAL THEATRE: PLONTER, ARNA'S CHILDREN, AND THE RUTH KANNER GROUP; DOCUMENTING THE INVISIBLE: DRAMATIZING THE ALGERIAN CIVIL WAR OF THE 1990S; THE EROTIC POLITICS OF CRITICAL TITS: EXHIBITIONISM OR FEMINIST STATEMENT? | |
| 505 | 8 | |a THE GÜEGÜENCE EFFECT: THE NATIONAL CHARACTER AND THE NICARAGUAN POLITICAL PROCESSPART FOUR: PRACTICE; DO THE ENDS JUSTIFY THE MEANS? CONSIDERING HOMELESS LIVES AS PROPAGANDA AND PRODUCT; THE BIRABAHN/THRELKELD PROJECT: PLACE, HISTORY, MEMORY, PERFORMANCE, AND COEXISTENCE; NON-NATURALISTIC PERFORMANCE IN POLITICAL NARRATIVE DRAMA: METHODOLOGIES AND LANGUAGES FOR POLITICAL PERFORMANCE WITH REFERENCE TO THE REHEARSAL AND PRODUCTION OF E TO THE POWER 3-EDUCATION, EDUCATION; GAY MUSLIMS AND SALTY MEAT PIES: THE LIMITS OF PERFORMING COMMUNITY; ABOUT THE CONTRIBUTORS | |
| 546 | |a English. | ||
| 650 | 0 | |a Theater |x Political aspects. | |
| 650 | 0 | |a Theater and society. | |
| 650 | 7 | |a Theater and society |2 fast | |
| 650 | 7 | |a Theater |x Political aspects |2 fast | |
| 700 | 1 | |a Haedicke, Susan C. | |
| 776 | 0 | 8 | |i Print version: |t Political performances. |d Amsterdam ; New York, NY : Rodopi, 2009 |z 9789042026063 |w (OCoLC)426959589 |
| 830 | 0 | |a Themes in theatre ; |v 4. | |
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