When machines play Chopin : musical spirit and automation in nineteenth-century German literature / Katherine Hirt.
WhenMachines Play Chopin brings together music aesthetics, performance practices, and the history of automated musical instruments in nineteenth-century German literature. Philosophers defined music as a direct expression of human emotion while soloists competed with one another to display machine-l...
Saved in:
| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Berlin ; New York :
Walter de Gruyter,
©2010.
|
| Series: | Interdisciplinary German cultural studies ;
v. 8. |
| Subjects: |
MARC
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| 100 | 1 | |a Hirt, Katherine Maree. | |
| 245 | 1 | 0 | |a When machines play Chopin : |b musical spirit and automation in nineteenth-century German literature / |c Katherine Hirt. |
| 260 | |a Berlin ; |a New York : |b Walter de Gruyter, |c ©2010. | ||
| 300 | |a 1 online resource (170 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 1 | |a Interdisciplinary German cultural studies, |x 1861-8030 ; |v v. 8 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Towards autonomy : imitation and expression at the turn of the nineteenth century -- E.T.A. Hoffmann's aesthetics of music and musical machines in "The Automata," "The Sandman" and music reviews -- Schopenhauer and Hanslick : toward a definition of instrumental music as an autonomous art -- Virtuosity and the experience of listening in Heinrich Heine's music criticism and "Florentine nights" -- Rilke's phonograph : the "talking machine" and imagined sound. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a WhenMachines Play Chopin brings together music aesthetics, performance practices, and the history of automated musical instruments in nineteenth-century German literature. Philosophers defined music as a direct expression of human emotion while soloists competed with one another to display machine-like technical perfection at their instruments. WhenMachines Play Chopin looks at this paradox between thinking about and practicing music to show what three literary works say about automation and the sublime in art. | ||
| 546 | |a In English. | ||
| 650 | 0 | |a German literature |y 19th century |x History and criticism. | |
| 650 | 0 | |a Musical instruments in literature. | |
| 650 | 0 | |a Music in literature. | |
| 650 | 0 | |a Music and literature |z Germany |x History |y 19th century. | |
| 650 | 7 | |a German literature |2 fast | |
| 650 | 7 | |a Music and literature |2 fast | |
| 650 | 7 | |a Music in literature |2 fast | |
| 650 | 7 | |a Musical instruments in literature |2 fast | |
| 651 | 7 | |a Germany |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd | |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Hirt, Katherine Maree. |t When machines play Chopin. |d Berlin ; New York : Walter de Gruyter, ©2010 |z 9783110232394 |w (DLC) 2010013654 |w (OCoLC)606053798 |
| 830 | 0 | |a Interdisciplinary German cultural studies ; |v v. 8. | |
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