Samuel Beckett : Debts and Legacies.
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Full Text (via ProQuest) |
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| Format: | eBook |
| Language: | English |
| Published: |
Amsterdam :
Rodopi,
1905.
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| Series: | Samuel Beckett today/aujourd'hui.
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| Subjects: |
Table of Contents:
- Cover; Title Page; Copyright Page; Table of Contents; Introduction; PART I: DEBTS; BECKETT IN THE COUNTRY OF THE HOUYHNHMS: The Transformation of Swiftian Satire; "DELITE IN SWYNES DRAF": Husks and Lees, Sugarbeet Pulp and Roses in Samuel Beckett's "D raff"; "THE ITALIANATE IRISHMAN": The Role of Italian in Beckett's Intratextual Multilingualism; REINCARNATIONS OF JOYCE IN BECKETT'S FICTION; "FIRST LOVE": Abortion and Infanticide in Beckett and Yeats; MAETERLINCK AND BECKETT: Paying Lip-Service to Silence; "ACCURSED PROGENITOR!" Fin de partie and Georges Bataille.
- FROM NARCISSISTIC ISOLATION TO SADISTIC PSEUDOCOUPLES: Tracing the Genesis of EndgameSTAGING PSYCHOANALYSIS: Endgame and the Freudian Theory of the Anal-Sadistic Phase; SEXUAL AND AESTHETIC REPRODUCTION IN MALONE DIES; BECKETT AND PHILOSOPHY, 1928-1938; SAMUEL BECKETT'S DEBT TO ARISTOTLE: Cosmology, Syllogism, Space, Time; TOWARDS AN ANALYSIS OF GEULINCX AND THE UR -WATT; BUNYAN AND BECKETT: The Legacy of Pilgrim's Progress in Mercier and Camier; "NOR BY THE EYE OF FLESH NOR BY THE OTHER": Fleshly, Crea tive and Mystical Vision in Late Beckett.
- BREATH AS VANITAS: Beckett's Debt to a Baroque GenrePART II: LEGACIES; BECKETT AND THE LOUTISHNESS OF LEARNING; "STUCK IN A STAGGER": Beckett and Cixous; "WHAT DOES IT MATTER WHO IS SPEAKING," SOMEONE SAID, "WHAT DOES IT MATTER WHO IS SPEAKING": Beckett, Foucault, Barthes; REST OF STAGE IN DARKNESS: Beckett, his Directors and Place; BECKETT
- FRISCH
- DÜRRENMATT; WHERE NOW?: A Few Reflections on Beckett, Robert Smithson, and the Local; "SPLENDID LITTLE PICTURES": Leibnizian Terminology in the Works of Samuel Beckett and Carlo Emilio Gadda.
- ART OF NOISE: Beckett's Language in a Culture of InformationBECKETT'S BARBOUILLAGES; Interview; AN INTERVIEW WITH DR ROSEMARY POUNTNEY; FREE SPACE; BEAUFRET, BECKETT, AND HEIDEGGER: The Question(s) of Influence; BREATH AND THE TRADITION OF 1960's NEW REALISM: Between Theatre and Art; THE METRONOME OF CONSCIOUSNESS; L'ÉCRITURE APHASIQUE DE SAMUEL BECKETT; HAPTIC INTERFACES: The Live and the Recorded Body in Beckett's Eh Joe on Stage and Screen; Notes on Contributors.