Celluloid symphonies : texts and contexts in film music history / edited by Julie Hubbert.
"Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music--Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein, and Howard Shore--and out...
Saved in:
| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Other Authors: | |
| Format: | eBook |
| Language: | English |
| Published: |
Berkeley :
University of California Press,
[2011]
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| Subjects: |
MARC
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| 245 | 0 | 0 | |a Celluloid symphonies : |b texts and contexts in film music history / |c edited by Julie Hubbert. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c [2011] | |
| 264 | 4 | |c ©2011. | |
| 300 | |a 1 online resource (xiv, 507 pages) | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Playing the pictures : music and the silent film (1895-1925). |t Plain talk to theater managers and operators (1909) / |r F.H. Richardson ; |t Incidental music for Edison Pictures (1909) ; |t Jackass music (1911) / |r Louis Reeves Harrison ; |g from |t What and how to play for pictures (1913) / |r Eugene A. Ahern ; |t Music for the picture (1911) / |r Clarence E. Sinn ; |t The art of exhibition : Rothapfel on motion picture music (1914) / |r W. Stephen Bush ; |g from |t Musical accompaniment of moving pictures (1920) / |r Edith Lang and George West ; |g from |t Musical presentation of motion pictures (1921) / |r George Beynon ; |g from |t Encyclopaedia of music for pictures (1925) / |r Erno Rapee ; |t Two thematic music cue sheets : The thief of Bagdad (1924) and Dame chance (1926) ; |t Music and motion pictures (1926) / |r Hugo Riesenfeld ; |t Publishers win movie music suit (1924) -- |t All singing, dancing, and talking : music in the early sound film (1926-1934). |t New musical marvels in the movies (1926) ; |t Musicians to fight sound-film devices (1928) ; |t The truth about voice doubling (1929) / |r Mark Larkin ; |t Westward the course of Tin-Pan Alley (1929) / |r Jerry Hoffman ; |t What's wrong with musical pictures? (1930) / |r Sigmund Romberg ; |t Present day musical films and how they are made possible (1931) / |r Verna Avery ; |t Alfred Hitchcock on music in films (1934) / |r Stephen Watts -- |t Carpet, wallpaper, and earmuffs : the Hollywood score (1935-1959). |t Composers in movieland (1935) / |r George Antheil ; |t The aesthetics of the sound film (1935) / |r Leonid Sabaneev ; |t Scoring the film (1937) / |r Max Steiner ; |t Some experiences in film music (1940) / |r Erich Wolfgang Korngold ; |t What Is a filmusical? (1937) / |r Denis Morrison ; |t Music in the films (1941) / |r Aaron Copland ; |t Music or sound effects? (1947) / |r Harold C. Schonberg ; |t The new musical resources (1947) / |r Theodor Adorno and Hanns Eisler ; |t Movie music goes on record (1952) / |r Arthur Knight ; |t The man with the golden arm (1956) / |r Elmer Bernstein ; |t Forbidden planet (1956) / |r Louis and Bebe Barron ; |t Interview with Stanley Donen (1977) / |r Jim Hillier ; |t One thing's for sure, R 'n' R is boffo B.O. (1958) / |r Alan Freed -- |t The recession soundtrack : from albums to auteurs, songs to serialism (1960-1977). |t Film themes link movie, disk trades (1960) / |r June Bundy ; |t Mancini debunks album values (1961) / |r Eddie Kalish ; |t Herrmann says Hollywood tone deaf as to film scores (1964) ; |t The new sound on the soundtracks (1967) / |r Gene Lees ; |t Movies : tuning in to the sound of new music (1968) / |r Renata Adler ; |t Towards an interior music (1997) / |r Ennio Morricone ; |t Keeping score on Schifrin : Lalo Schifrin and the art of film music (1969) / |r Harvey Siders ; |t BBC interview with Jerry Goldsmith (1969) ; |t The jazz composers in Hollywood : a symposium (1972) / |r Harvey Siders ; |t George Lucas : stinky kid hits the bigtime (1974) / |r Steven Farber ; |t The annotated Friedkin (1974) / |r Elmer Bernstein ; |t Whatever became of movie music? (1974) / |r David Raksin -- |t The postmodern soundtrack : film music in the video and digital age (1978-present). |t Selling a hit soundtrack (1979) / |r Susan Peterson ; |t Interview with John Williams (1997) / |r Craig L. Byrd ; |t Scoring with synthesizers (1982) / |r Terry Atkinson ; |t Rock movideo (1985) / |r Marianne Meyer ; |t How rock is changing Hollywood's tune (1989) / |r Stephen Holden ; |t Danny Elfman : from boingo to Batman (1990) / |r Randall D. Larson ; |t Interviews from The celluloid jukebox (1995) / |r Jonathan Romney and Adrian Wootton ; |t Composing with a very wide palette : Howard Shore in conversation (1999) / |r Philip Brophy ; |t Hollywood sound (2005) / |r Rob Bridgett. |
| 520 | |a "Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music--Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein, and Howard Shore--and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present."--From publisher's description. | ||
| 588 | 0 | |a Online resource; title from digital title page (JSTOR, December 16, 2021) | |
| 650 | 0 | |a Motion picture music |x History and criticism. | |
| 650 | 0 | |a Symphony. | |
| 650 | 7 | |a Motion picture music. |2 fast |0 (OCoLC)fst01027201. | |
| 650 | 7 | |a Symphony. |2 fast |0 (OCoLC)fst01140966. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
| 700 | 1 | |a Hubbert, Julia Bess, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Celluloid symphonies. |d Berkeley : University of California Press, 2011 |z 9780520241015 |w (DLC) 2010013985 |w (OCoLC)605019066. |
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