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1 |
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|a Jannarone, Kimberly.
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245 |
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|a Artaud and his doubles /
|c Kimberly Jannarone.
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|a 1st pbk. ed.
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260 |
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|a Ann Arbor :
|b University of Michigan Press,
|c 2012.
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300 |
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|a 1 online resource (xiv, 253 pages)
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|a text
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490 |
1 |
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|a Theater--theory/text/performance.
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504 |
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|a Includes bibliographical references and index.
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|a The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling in the theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise of the director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness.
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|a This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from accepted familiar premises, largely established in the 1960s: Artaud as prophet, madman, genius, was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and his productions--I dug into the archives to research Artaud's theatrical practice.
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1 |
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|a Artaud, Antonin,
|d 1896-1948
|x Criticism and interpretation.
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600 |
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|a Artaud, Antonin,
|d 1896-1948
|x Knowledge
|x Performing arts.
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650 |
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|a Experimental theater
|z France
|x History
|y 20th century.
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650 |
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|a Drama
|x History and criticism
|x Theory, etc.
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650 |
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0 |
|a Cruelty in literature.
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|a Artaud, Antonin,
|d 1896-1948
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|0 (OCoLC)fst00033589.
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650 |
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|a Cruelty in literature
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|0 (OCoLC)fst00884358.
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650 |
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7 |
|a Experimental theater
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|0 (OCoLC)fst00918508.
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650 |
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7 |
|a Performing arts
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|0 (OCoLC)fst01057887.
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651 |
|
7 |
|a France
|2 fast
|0 (OCoLC)fst01204289.
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635.
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655 |
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|a History
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|0 (OCoLC)fst01411628.
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|i Print version:
|z 047211736X
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|w (DLC) 2010024619.
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|z Full Text (via ProQuest)
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|a .b96797514
|b 07-02-19
|c 10-03-17
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