Maurice Pialat.
One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat?s particular form of realism influenced an entir...
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Format: | eBook |
Language: | English |
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Manchester :
Manchester University Press,
2006.
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Series: | French film directors.
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Subjects: |
MARC
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100 | 1 | |a Warehime, Marja. | |
245 | 1 | 0 | |a Maurice Pialat. |
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490 | 1 | |a French Film Directors. | |
505 | 0 | |a Copyright; Contents; List of plates; Series editors' foreword; Acknowledgements; 1. Introduction: Maurice Pialat, the outsider; 2. Pialat and the Nouvelle Vague; 3. A family of works; 4. Family portraits I: Nous ne vieillironspas ensemble, La Gueule ouverte andPasse ton bac d'abord; 5. Family portraits II: Loulou, A nosamours and Police; 6. The saint and the artist: men apart; 7. Conclusion: paternity and Le Garçu; Filmography; Select bibliography; Index. | |
504 | |a Includes bibliographical references, filmography and index. | ||
520 | |a One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat?s particular form of realism influenced an entire generation of young filmmakers in the nineties. This volume is the first book-length study of Pialat?s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society a. | ||
588 | 0 | |a Print version record. | |
600 | 1 | 0 | |a Pialat, Maurice, |d 1925-2003 |x Criticism and interpretation. |
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655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
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