Extra-Ordinary Men : White Heterosexual Masculinity and Contemporary Popular Cinema.
This book analyzes popular cinematic representations of normative masculinity, exploring the idea that its positioning as the 'ordinary' identity is a source of not only ideological and political strength but also considerable anxiety. Rehling offers lucid accounts of contemporary theoreti...
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Full Text (via ProQuest) |
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Main Author: | |
Format: | eBook |
Language: | English |
Published: |
Lanham :
Lexington Books,
2010.
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Subjects: |
MARC
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245 | 1 | 0 | |a Extra-Ordinary Men : |b White Heterosexual Masculinity and Contemporary Popular Cinema. |
260 | |a Lanham : |b Lexington Books, |c 2010. | ||
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505 | 0 | |a Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Acknowledgements; Introduction; Part 1: The Politics of the ""White Male as Victim""; 1: Losing Ground: Representations of White Male Disenfranchisement in Anglo-American Popular Cinema; 2: Literalizing the Wound: Paternal Melodramas, Masochism, and White Heterosexual Masculinity in Popular U.S. Cinema; Part 2: Coming Apart at the Seams? White Heterosexual Masculinity and the Body in Popular Cinema; 3: Fleshing Out White Heterosexual Masculinity: The Objectified and Commodified White Male Body. | |
505 | 8 | |a 4: Terminal Bodies and Cartesian Trips: White Heterosexual Masculinity in Cyberfantasies5: Queering White Heterosexual Masculinity: Cross-Dressing and Transgender Cinema; 6: White Skin, Black Masks? Male ""Wiggers"" in Contemporary Popular Cinema; Part 3: Marking White Male Violence: The Gangster and the Serial Killer; 7: White Male Violence in Quentin Tarantino's Gangster Films; 8: Everyman and No Man: White Masculinity in Contemporary Serial Killer Movies; Afterword; Bibliography; Select Filmography; Index; About the Author. | |
520 | |a This book analyzes popular cinematic representations of normative masculinity, exploring the idea that its positioning as the 'ordinary' identity is a source of not only ideological and political strength but also considerable anxiety. Rehling offers lucid accounts of contemporary theoretical debates on masculinity, whiteness, gender, race, and sexuality in popular cinema, and detailed readings of films as diverse as Fight Club, Boys Don't Cry, and The Matrix. | ||
588 | 0 | |a Print version record. | |
650 | 0 | |a Masculinity in motion pictures. | |
650 | 0 | |a Heterosexual men in motion pictures. | |
650 | 0 | |a White people in motion pictures. | |
650 | 7 | |a Heterosexual men in motion pictures |2 fast | |
650 | 7 | |a Masculinity in motion pictures |2 fast | |
650 | 7 | |a White people in motion pictures |2 fast | |
758 | |i has work: |a Extra-ordinary men (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFtq8DgWfQcGhQdJw7JmtX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Rehling, Nicola. |t Extra-Ordinary Men : White Heterosexual Masculinity and Contemporary Popular Cinema. |d Lanham : Lexington Books, ©2010 |z 9780739124833 |
856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/ucb/detail.action?docID=1043781 |z Full Text (via ProQuest) |
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