Music, analysis, experience : new perspectives in musical semiotics / edited by Costantino Maeder and Mark Reybrouck.
Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding struct...
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Full Text (via ProQuest) |
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| Other Authors: | , |
| Format: | eBook |
| Language: | English |
| Published: |
[Place of publication not identified] :
[Publisher not identified],
2015.
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| Subjects: |
MARC
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| 245 | 0 | 0 | |a Music, analysis, experience : |b new perspectives in musical semiotics / |c edited by Costantino Maeder and Mark Reybrouck. |
| 260 | |a [Place of publication not identified] : |b [Publisher not identified], |c 2015. | ||
| 300 | |a 1 online resource (356 pages) : |b illustrations, music. | ||
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| 505 | 0 | |a Preface / Costantino Maeder and Mark Reybrouck -- part one. Setting the stage: music-in-action, semiotics, and intermediality -- part two. Representation, interpretation, and meaning -- part three. Experience, cognition, and affect -- part four. Intermediality and transdisciplinarity -- part five. Analysis and beyond. | |
| 520 | |a Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well. Music, Analysis, Experience brings together contributions by semioticians, performers, and scholars from cognitive sciences, philosophy, and cultural studies, and deals with these fundamental questionings. Transdisciplinary and intermedial approaches to music meet musicologically oriented contributions to classical music, pop music, South American song, opera, narratology, and philosophy. | ||
| 588 | |a Print version record. | ||
| 650 | 0 | |a Music |x Semiotics. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Musical analysis. | |
| 650 | 7 | |a Music |x Philosophy and aesthetics. |2 fast |0 (OCoLC)fst01030408. | |
| 650 | 7 | |a Musical analysis. |2 fast |0 (OCoLC)fst01030696. | |
| 650 | 7 | |a Music |x Semiotics. |2 fast |0 (OCoLC)fst01030442. | |
| 700 | 1 | |a Reybrouck, Mark, |e editor. | |
| 700 | 1 | |a Maeder, Costantino, |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Maeder, Costantino. |t Music, Analysis, Experience : New Perspectives in Musical Semiotics. |d Leuven : Leuven University Press, ©2015 |z 9789462700444. |
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