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Anti-shows : APTART 1982-84 / edited by Margarita Tupitsyn, Victor Tupitsyn and David Morris.

"A collective of artists, a gallery and a movement, APTART was a series of self-organised 'anti-shows' that took place in the a private apartment and outdoor spaces in Moscow between 1982 and 1984"--Page 4 of cover.

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Bibliographic Details
Corporate Author: Bard College. Center for Curatorial Studies
Other Authors: Tupitsyn, Margarita (Editor), Agamov-Tupit︠s︡yn, Viktor (Editor), Morris, David (Editor)
Other title:APTART 1982-84.
Format: Book
Language:English
Published: London : Afterall Books in association with the Center for Curatorial Studies, Bard College, 2017.
Series:Exhibition histories.
Subjects:
APTART (Moscow, Russia) > History.
Art, Russian > Russia (Federation) > Moscow > 20th century > History.
Artistic collaboration > Russia (Federation) > Moscow > 20th century.
Alternative spaces (Arts facilities) > Russia (Federation) > Moscow > 20th century.
Dissident art > Russia (Federation) > Moscow > 20th century.
Curatorship > Russia (Federation) > Moscow > 20th century.
Table of Contents:
  • Introduction: anti-shows / David Morris
  • Imagine no shows / Margarita Tupitsyn
  • Airborne in a no-fly zone / Victor Tupitsyn
  • APTART, anti-shows 1982-84
  • Call into the void / Nikita Alekseev
  • Interviews
  • Moscow does not believe in new wave art / Richard Goldstein (1983)
  • Artist-character / Ilya Kabakov (1985)
  • Havana-Moscow: reflections on a Marxist-Leninist artist exchange / Manuel Alcayde
  • Why I wanted to show APTART in New York/If a tree falls in the forest... / Valerie Smith
  • MANI: an experiment in modelling cultural space / Alexandra Danilova and Elena Kuprina-Lyakhovich.

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