|
|
|
|
| LEADER |
00000cam a2200000xa 4500 |
| 001 |
b9760808 |
| 006 |
m o d |
| 007 |
cr ||||||||||| |
| 008 |
001009s1999 maua ob 000 0 eng d |
| 005 |
20240520200829.3 |
| 019 |
|
|
|a 47884446
|a 243511030
|a 243511032
|a 532673262
|a 606014328
|a 695609876
|a 760289710
|a 961655503
|a 962698690
|a 984636383
|a 1007378906
|a 1038552164
|a 1049746919
|a 1053015009
|a 1105748437
|a 1109162533
|a 1156925033
|a 1188982473
|a 1196974712
|a 1285473248
|
| 020 |
|
|
|a 9780262272018
|q (electronic bk.)
|
| 020 |
|
|
|a 0262272016
|q (electronic bk.)
|
| 020 |
|
|
|a 058526578X
|q (electronic bk.)
|
| 020 |
|
|
|a 9780585265780
|q (electronic bk.)
|
| 020 |
|
|
|z 0262041766
|q (alk. paper)
|
| 020 |
|
|
|z 9780262041768
|q (alk. paper)
|
| 020 |
|
|
|z 0262541270
|
| 020 |
|
|
|z 9780262541275
|
| 035 |
|
|
|a (OCoLC)ebs45728075
|
| 035 |
|
|
|a (OCoLC)45728075
|z (OCoLC)47884446
|z (OCoLC)243511030
|z (OCoLC)243511032
|z (OCoLC)532673262
|z (OCoLC)606014328
|z (OCoLC)695609876
|z (OCoLC)760289710
|z (OCoLC)961655503
|z (OCoLC)962698690
|z (OCoLC)984636383
|z (OCoLC)1007378906
|z (OCoLC)1038552164
|z (OCoLC)1049746919
|z (OCoLC)1053015009
|z (OCoLC)1105748437
|z (OCoLC)1109162533
|z (OCoLC)1156925033
|z (OCoLC)1188982473
|z (OCoLC)1196974712
|z (OCoLC)1285473248
|
| 037 |
|
|
|a ebs24385
|
| 040 |
|
|
|a N$T
|b eng
|e pn
|c N$T
|d OCL
|d OCLCQ
|d MUQ
|d OCLCQ
|d YDXCP
|d OCLCQ
|d N$T
|d OCLCQ
|d TUU
|d OCLCQ
|d TNF
|d OCLCQ
|d ZCU
|d OCLCO
|d OCLCF
|d NHA
|d OCLCA
|d OCLCQ
|d VVN
|d SFB
|d B24X7
|d OCLCO
|d OCLCQ
|d CPO
|d SUR
|d LIV
|d OCLCQ
|d SAV
|d QT7
|d OCLCO
|d OCLCQ
|d OCLCO
|d BUF
|d LUE
|d OCLCQ
|d OCLCO
|d WRM
|d NAM
|d OCLCQ
|d OCLCO
|d INT
|d TOF
|d OCLCQ
|d COO
|d JZ6
|d XMC
|d UMK
|d CHBRC
|d BRF
|d LDP
|d AJS
|d OCLCO
|d INARC
|d OCL
|d OCLCO
|d OCLCQ
|
| 049 |
|
|
|a GWRE
|
| 050 |
|
4 |
|a NX260
|b .A77 1999eb
|
| 245 |
0 |
0 |
|a Ars Electronica :
|b facing the future : a survey of two decades /
|c edited by Timothy Druckrey with Ars Electronica.
|
| 260 |
|
|
|a Cambridge, Mass. :
|b MIT Press,
|c ©1999.
|
| 300 |
|
|
|a 1 online resource (449 pages) :
|b illustrations.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent.
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia.
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier.
|
| 490 |
1 |
|
|a Electronic culture--history, theory, practice.
|
| 504 |
|
|
|a Includes bibliographical references.
|
| 505 |
0 |
0 |
|g Foreword /
|r Hannes Leopoldseder --
|g Preface /
|r Gerfried Stocker, Christine Schopf --
|g Introduction:
|t Ready or not? /
|r Timothy Druckrey --
|g Prologue (1979) /
|r Herbert W. Franke --
|t A medium matures: video and the cinematic enterprise (1984) /
|r Gene Youngblood --
|t On the history and aesthetics of the digital image (1984) /
|r Peter Weibel --
|t MIDI--what it is and what it means to electronic artists (1984) /
|r Robert Moog --
|t Ten indications of an emerging computer culture (1986) /
|r Hannes Leopoldseder --
|t Art from the screen (1986) /
|r Herbert W. Franke --
|t The visual artist turns to computer programming (1986) /
|r Herve Huitric, Monique Nahas --
|t Gesamtdatenwerk: connectivity, transformation and transcendence (1989) /
|r Roy Ascott --
|t Radio art (1989) /
|r Heidi Grundmann --
|t Werner alone has looked on reality bare: proposal for a really new "new physics" (1990) /
|r Nick Herbert --
|t Virtual environments, personal simulation and telepresence (1990) /
|r Scott S. Fisher --
|t The future of cyberspace: wild frontier vs. hyperreal estate (1990) /
|r Bruce Sterling --
|t The universal robot (1991) /
|r Hans Moravec --
|t Thresholds of control: destruction art and terminal culture (1991) /
|r Kristine Stiles --
|t Video and architecture: beyond the screen (1994) /
|r Kathy Rae Huffman --
|t The noise of the observer (1995) /
|r Peter Weibel --
|t Vector in open space (1996) /
|r Gerfried Stocker --
|t The memesis network discussion (1996) /
|r Geert Lovink --
|t Mind viruses (1996) /
|r Richard Dawkins --
|t For a digital renaissance of situationism (1996) /
|r Heimo Ranzenbacher.
|
| 588 |
0 |
|
|a Print version record.
|
| 611 |
2 |
0 |
|a Ars Electronica
|x History.
|
| 650 |
|
0 |
|a Arts
|x Data processing.
|0 http://id.loc.gov/authorities/subjects/sh2009115975.
|
| 650 |
|
0 |
|a Technology and the arts.
|0 http://id.loc.gov/authorities/subjects/sh85133186.
|
| 650 |
|
0 |
|a Computer art.
|0 http://id.loc.gov/authorities/subjects/sh85029482.
|
| 611 |
2 |
7 |
|a Ars Electronica.
|2 fast
|0 (OCoLC)fst01407880.
|
| 650 |
|
7 |
|a Arts
|x Data processing.
|2 fast
|0 (OCoLC)fst00817739.
|
| 650 |
|
7 |
|a Computer art.
|2 fast
|0 (OCoLC)fst00872033.
|
| 650 |
|
7 |
|a Technology and the arts.
|2 fast
|0 (OCoLC)fst01145276.
|
| 655 |
|
7 |
|a Digital art.
|2 fast
|0 (OCoLC)fst01986264.
|
| 655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628.
|
| 700 |
1 |
|
|a Druckrey, Timothy.
|0 http://id.loc.gov/authorities/names/n82015676
|1 http://isni.org/isni/0000000081242773.
|
| 711 |
2 |
|
|a Ars Electronica
|d (1999 :
|c Linz, Austria)
|
| 776 |
0 |
8 |
|i Print version:
|t Ars Electronica.
|d Cambridge, Mass. : MIT Press, ©1999
|z 0262041766
|w (DLC) 99014921
|w (OCoLC)41086599.
|
| 830 |
|
0 |
|a Electronic culture--history, theory, practice.
|0 http://id.loc.gov/authorities/names/n99021752.
|
| 856 |
4 |
0 |
|u https://colorado.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&site=ehost-live&AN=24385
|z Full Text (via EBSCO)
|
| 907 |
|
|
|a .b97608087
|b 02-01-23
|c 10-21-17
|
| 907 |
|
|
|a .b97608087
|b 01-31-23
|c 10-21-17
|
| 915 |
|
|
|a -
|
| 944 |
|
|
|a MARS - RDA ENRICHED
|
| 956 |
|
|
|a EBSCO ebook collection
|
| 956 |
|
|
|b All EBSCO eBooks
|
| 998 |
|
|
|a web
|b 01-31-23
|c b
|d b
|e -
|f eng
|g mau
|h 0
|i 1
|
| 999 |
f |
f |
|i e16fe82e-bc93-5a58-9904-361a4c727513
|s a2e3597d-0832-52cb-857c-24c23931b3e4
|
| 952 |
f |
f |
|p Can circulate
|a University of Colorado Boulder
|b Online
|c Online
|d Online
|e NX260 .A77 1999eb
|h Library of Congress classification
|i web
|n 1
|
