Phenomenal difference : a philosophy of black British art / Leon Wainwright.
Phenomenal Difference' grants new attention to contemporary black British art, exploring its critical and social significance through attention to embodied experience, affectivity, the senses and perception. Much before scholars in the arts and humanities took their recent 'ontological tur...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Liverpool :
Liverpool University Press,
2017.
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| Series: | Value, art, politics.
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| Subjects: |
MARC
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| 100 | 1 | |a Wainwright, Leon, |e author. |0 http://id.loc.gov/authorities/names/nb2012020261. | |
| 245 | 1 | 0 | |a Phenomenal difference : |b a philosophy of black British art / |c Leon Wainwright. |
| 264 | 1 | |a Liverpool : |b Liverpool University Press, |c 2017. | |
| 264 | 4 | |c ©2017. | |
| 300 | |a xiii, 225 pages : |b illustrations (chiefly color) ; |c 25 cm. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a unmediated |b n |2 rdamedia. | ||
| 338 | |a volume |b nc |2 rdacarrier. | ||
| 490 | 1 | |a Value : Art : Politics. | |
| 504 | |a Includes bibliographical references (pages 207-221) and index. | ||
| 520 | 8 | |a Phenomenal Difference' grants new attention to contemporary black British art, exploring its critical and social significance through attention to embodied experience, affectivity, the senses and perception. Much before scholars in the arts and humanities took their recent 'ontological turn' toward the new materialism, black British art had begun to expose cultural criticism's overreliance on the concepts of textuality, representation, identity and difference. Illuminating that original field of aesthetics and creativity, this book shows how black British artworks themselves can become the basis for an engaged and widely-reaching philosophy. | |
| 650 | 0 | |a Artists, Black |z Great Britain. | |
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| 650 | 7 | |a Artists, Black. |2 fast |0 (OCoLC)fst00817711. | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623. | |
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