Industrial designer : the artist as engineer / by W. Dorwin Teague.
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| Format: | Book |
| Language: | English |
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Lancaster, Pennsylvania :
Armstrong World Industries,
1998.
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Table of Contents:
- 1920-1920 : few of the residents had cars in 1915 when we moved in
- 1921-1928 : outside of the suburbs of San Francisco, paved roads largely ceased until Kansas City
- 1928-1930 : uncle Widmer called Ellington's 'The Mooche" a "musical skunk"
- 1930-1933 : the Marmon Sixteen body design was the chance of a lifetime
- 1934-1938 : more or less by common consent, I became the chief product designer
- 1939-1941 : I also learned to trust my instinct and to question sacred dogma
- 1942-1944 : the experienced engineer would be too smart to even consider this kind of solution
- 1945-1947 : he saw a big pool of red fuming nitric acid seeping onto the floor
- 1948-1950 : this was a useful lesson in how not to build a rocket test stand
- 1951-1952 : every time Harry fell, Lewis purposely took a tumble himself
- 1953-1957 : the Count knew all the righ places to go provided someone else picked up the check
- 1958-1959 : Clyde Cowan had the ability to explain recondite theories in understandable terms
- 1960-1962 : there is no way to tell a can of beans from a can of apple sauce
- 1963-1964 : this was a flattering since Walt Disney had been making a strong pitch for the job
- 1965-1966 : at the Operakalleren the head waiter turned out to be a fellow Ellington buff
- 1967-1969 : the new firms location was decided upon by finding the epicenter of the hometowns of the people involved
- 1970-1974 : at the time the popular concept of conservation was one of discomfort and sacrifice
- 1975-1986 : the variety of my work, if anything, increased as I approached my late seventies
- 1987-1998 : 'Dorwin, you're the one we want. Why can't you do it in the hospital?"