Brätsch / editor, Patrizia Dander ; translation, Tim Connell.

"Kerstin Brätsch--Innovation" is the first comprehensive exhibition of the Hamburg-born and New York-based painter. In Brätsch's work, the influences of the digital age are coupled, in a unique manner, with a reflection on art-historical traditions. Her complex and consistent work osc...

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Bibliographic Details
Corporate Author: Museum Brandhorst (Munich, Germany)
Other Authors: Dander, Patrizia (Editor)
Format: Book
Language:English
German
Published: Köln : München, Germany : Verlag der Buchhandlung Walther König ; Museum Brandhorst, [2017]
Subjects:

MARC

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245 1 0 |a Brätsch /  |c editor, Patrizia Dander ; translation, Tim Connell. 
264 1 |a Köln :  |b Verlag der Buchhandlung Walther König ;  |a München, Germany :  |b Museum Brandhorst,  |c [2017] 
264 4 |c ©2017. 
300 |a 431 pages :  |b illustrations (chiefly color) ;  |c 31 cm. 
336 |a text  |b txt  |2 rdacontent. 
337 |a unmediated  |b n  |2 rdamedia. 
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500 |a On the occasion of the exhibition "Kerstin Brätsch - Innovation", held at the Museum Brandhorst, Bayerische Staatsgemäldesammlungen, München, May 25 - September 17, 2017. 
504 |a Includes bibliographical references (pages 424-425) 
505 0 |a Psychic -- New images / Unisex, FürstFürst -- Ghost -- Stars and stripes -- Corporate abstraction -- Mylar -- Blocked radiant (for Ioana) -- Glass -- Unstable talismanic rendering -- DAS INSTITUT -- KAYA -- Texts. Painting : a Dürty gürl / Patrizia Dander ; The embarassment of painting / Kathy Halbreich ; Corporate cannibalism / Lanka Tattersall ; Out of hand / Philip Coulter. 
520 |a "Kerstin Brätsch--Innovation" is the first comprehensive exhibition of the Hamburg-born and New York-based painter. In Brätsch's work, the influences of the digital age are coupled, in a unique manner, with a reflection on art-historical traditions. Her complex and consistent work oscillates between a conceptual analysis of painting and a devotion of painterly processes. With around 60 large-scale paintings on paper and Mylar film, and in the marbling technique, more than 40 handmade glass works, numerous videos, two slide projections, a large installation, as well as several in situ interventions, the exhibition provides a first comprehensive overview of the artist's painterly practice since 2006. 
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