Malaysian cinema, Asian film : border crossings and national cultures / William van der Heide.
A study of the heterogeneity and cultural complexities of the Malaysian cinema.
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| Online Access: |
Full Text (via Cambridge) |
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| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
Amsterdam :
Amsterdam University Press,
2002.
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| Series: | Film culture in transition.
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| Subjects: |
Table of Contents:
- Introduction. Panggung Wayang; Malaysian Cinema, Asian Film
- The Realities of Film Viewing
- The Scope of this Study
- Chapter 1: Border Crossings. Introduction
- National Cinema and Genre
- Cross-cultural Analysis
- Transtextuality
- The Hamburger Western
- The Samurai Film and the Noodle Western
- The Samurai Film and the Hamburger Western
- The Sword Film and the Spaghetti Western
- The Spaghetti Western
- The Martial Arts Film and the Chop Suey Western
- The Stunt Film and the Curry Western
- Conclusion
- Chapter 2: Malaysian Society and Culture. Introduction
- Identity
- National Identity and National Culture
- Malaysian Identity
- Pre-colonial Malaysia
- Foundational Narratives
- Colonial Malaysia
- Parsee Theatre and Bangsawan
- Postcolonial Malaysia
- The National Cultural Policy and its Consequences
- Conclusion
- Chapter 3: Film in Malaysia. Introduction
- National Cinema
- National Cinema Texts
- The Film Industry and Film Culture in Malaysia
- Early Film-going in Malaya
- The British in Malaya
- Origins
- Laila Majnun, India and Indonesia
- Shaw Brothers
- The Golden Age
- The Indian Connection
- The Studio System
- P. Ramlee
- Indian Cinema
- Hong Kong Cinema
- Indonesian Cinema
- The Decline
- The Revival
- Government Assistance and Controls
- Hong Kong Cinema
- Indian Cinema
- Conclusion
- Chapter 4: Malaysian Cinema. Introduction
- The Indian Cinema of the 1950's
- Hujan Panas
- Penarik Beca
- Hang Tuah
- Semerah Padi
- Hang Jebat
- Ibu Mertua-ku
- Matinya Seorang Patriot
- Fenomena
- Selubung
- Perempuan, Isteri & ...
- Sembilu
- Conclusion.