The ballet collaborations of Richard Strauss / Wayne Heisler Jr.

In 'The Ballet Collaborations of Richard Strauss', Heisler considers Strauss's ballet scores alongside story, mise-en-scène, and choreography, revealing Strauss's shift from a parodic conception of classical dance in the years leading up to World War I to a belated obsession wit...

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Bibliographic Details
Online Access: Full Text (via Cambridge)
Main Author: Heisler, Wayne, 1970-
Format: eBook
Language:English
Published: Rochester, NY : University of Rochester Press, 2009.
Series:Eastman studies in music ; v. 64.
Subjects:

MARC

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245 1 4 |a The ballet collaborations of Richard Strauss /  |c Wayne Heisler Jr. 
260 |a Rochester, NY :  |b University of Rochester Press,  |c 2009. 
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490 1 |a Eastman studies in music,  |x 1071-9989 ;  |v [v. 64] 
504 |a Includes bibliographical references (pages 309-330) and index. 
505 0 |a Introduction : Richard Strauss, dance and ballet -- Part one : becoming a ballet composer, 1895-1914. Strauss en route to Die Insel Kythere (The isle of Cythera, 1900) ; Josephslegende (The legend of Joseph, 1914), Léonide Massine, and the music box dancer -- Part two : to drive away all cloudy thoughts, 1919-1941. The Strauss-Heinrich Kröller Ballettsoirée (1923) and interwar Viennese cultural politics ; Kitsch and Schlagobers (Whipped cream, 1924) ; Verstrausster Couperin, Verklingender Strauss, Verklungene Feste : Tanzvisionen aus zwei Jahrhunderten (Bygone celebrations : dance visions from two centuries, 1941). 
588 0 |a Print version record. 
520 |a In 'The Ballet Collaborations of Richard Strauss', Heisler considers Strauss's ballet scores alongside story, mise-en-scène, and choreography, revealing Strauss's shift from a parodic conception of classical dance in the years leading up to World War I to a belated obsession with Romantic-era ballet in its aftermath. Heisler explores issues central to Strauss's relationship to modernism: his mining in 'Die Insel Kythere' (1900) of the decorative aspects of dance, suggesting a shared sensibility with fin-de-siècle Jugendstil and a critique of Romanticism; the dynamics of collective creation and Strauss's penchant for parody in relation to 'Josephslegende' (1914); his stance on interwar cultural politics through the 1923 'Ballettsoirée' and 'Schlagobers' (1924); and 'Verklungene Feste' (1941) as this composer's autumnal meditation on the conceit of music and dance as vehicles for transcendence. 'The Ballet Collaborations of Richard Strauss' is a richly interdisciplinary study that promises to nuance the popular, critical, and academic reception of this ever-popular composer. Wayne Heisler Jr. is assistant professor and Coordinator of Historical and Cultural Studies in Music at The College of New Jersey. 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
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