The invention of evening : perception and time in Romantic poetry / Christopher R. Miller.
Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs fro...
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Full Text (via Cambridge) |
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| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge ; New York :
Cambridge University Press,
2006.
|
| Series: | Cambridge studies in Romanticism ;
no. 66. |
| Subjects: |
MARC
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| 100 | 1 | |a Miller, Christopher R., |d 1968- | |
| 245 | 1 | 4 | |a The invention of evening : |b perception and time in Romantic poetry / |c Christopher R. Miller. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2006. | ||
| 300 | |a 1 online resource (ix, 262 pages) | ||
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| 490 | 1 | |a Cambridge Studies in Romanticism ; |v no. 66 | |
| 504 | |a Includes bibliographical references (pages 248-258) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g 1. |t The pre-history of romantic time -- |g 2. |t Coleridge's lyric "moment" -- |g 3. |t Wordsworth's evening voluntaries -- |g 4. |t Shelley's "woven hymns of night and day" -- |g 5. |t Keats and the "Luxury of twilight" -- |g 6. |t Later inventions. |
| 520 | |a Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T.S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express. | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Coleridge, Samuel Taylor, |d 1772-1834 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Wordsworth, William, |d 1770-1850 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Shelley, Percy Bysshe, |d 1792-1822 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Keats, John, |d 1795-1821 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Coleridge, Samuel Taylor, |d 1772-1834. |2 fast |0 (OCoLC)fst00029081 |
| 600 | 1 | 7 | |a Keats, John, |d 1795-1821. |2 fast |0 (OCoLC)fst00052274 |
| 600 | 1 | 7 | |a Shelley, Percy Bysshe, |d 1792-1822. |2 fast |0 (OCoLC)fst00035250 |
| 600 | 1 | 7 | |a Wordsworth, William, |d 1770-1850. |2 fast |0 (OCoLC)fst00030140 |
| 650 | 0 | |a English poetry |y 19th century |x History and criticism. | |
| 650 | 0 | |a Time in literature. | |
| 650 | 0 | |a Perception in literature. | |
| 650 | 0 | |a Romanticism |z England. | |
| 650 | 7 | |a English poetry. |2 fast |0 (OCoLC)fst00912278 | |
| 650 | 7 | |a Perception in literature. |2 fast |0 (OCoLC)fst01057645 | |
| 650 | 7 | |a Romanticism. |2 fast |0 (OCoLC)fst01100133 | |
| 650 | 7 | |a Time in literature. |2 fast |0 (OCoLC)fst01151108 | |
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| 776 | 0 | 8 | |i Print version: |a Miller, Christopher R., 1968- |t Invention of evening. |d Cambridge ; New York : Cambridge University Press, 2006 |w (DLC) 2006011419 |
| 830 | 0 | |a Cambridge studies in Romanticism ; |v no. 66. | |
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