Horror and the horror film / Bruce F. Kawin.
'Horror and the Horror Film' is a vivid, compelling, insightful and well-written study of the horror film and its subgenres from 1896 to the present, concentrating on the nature of horror in reality and on film.
Saved in:
| Online Access: |
Full Text (via Cambridge) |
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| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
London ; New York :
Anthem Press,
2012.
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| Series: | New perspectives on world cinema.
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| Subjects: |
MARC
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| 100 | 1 | |a Kawin, Bruce F., |d 1945- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJdMc3WFWmKMtVrGJwrpfq | |
| 245 | 1 | 0 | |a Horror and the horror film / |c Bruce F. Kawin. |
| 260 | |a London ; |a New York : |b Anthem Press, |c 2012. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a New perspectives on world cinema | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 8 | |a Mad Killers: Psycho and Henry: Portrait of a Serial KillerFamilies: The Last House on the Left and The Texas Chain Saw Massacre; Psychics and Telekinetics: Carrie and Scanners; The Infected: Rabid and 28 Days Later; Cannibals: Eaten Alive! and Cannibal Holocaust; Slashers: Scream; Part III RELATED GENRES; 7 HORROR COMEDY; Monster Comedies: Young Frankenstein; Supernatural Comedies: The Return of the Living Dead; Human Comedies: Arsenic and Old Lace; 8 HORROR DOCUMENTARY; Death on Camera; Autopsy: The Act of Seeing With One's Own Eyes; Looking at Horror; End Matter; Notes; Films Cited. | |
| 505 | 8 | |a Mummies: The Mummy's GhostOthers Back from the Dead: The Walking Dead; Werewolves and Other Shape-Shifters: The Wolf Man and Cat People; Legendary Figures: Candyman; Nameless Forces: Final Destination; Immortal Slashers: Michael, Jason and Freddy; 6 HUMANS; Mad Scientists and Doctors: Caligari and Mad Love; Romantics: The Phantom of the Opera; Human Anomalies: Freaks; Artists: Mystery of the Wax Museum and In the Mouth of Madness; Believers: The Black Cat, Blood Feast and The Wicker Man; Sadists and Torturers: The Raven, Salò and Hostel; Ghouls: The Body Snatcher and Ed Gein. | |
| 505 | 8 | |a Monsters from the Lab: "You Made Us Things!"Monsters from Underwater: It Came from Beneath the Sea; Plants: Invasion of the Body Snatchers; Minerals: The Monolith Monsters; Amorphous Monsters: The Blob; Child Monsters: It's Alive, The Brood and The Funhouse; Parasites: Shivers; Machines: The Car; Monsters from Underground: The Descent; 5 SUPERNATURAL MONSTERS; Demons and the Devil: Faust and The Evil Dead; Doubles: The Student of Prague; Vampires: Nosferatu and Dracula; Witches: Häxan and Suspiria; Ghosts: The Uninvited and Ringu; Zombies: White Zombie and Night of the Living Dead. | |
| 505 | 8 | |a Dreams and Reflexivity in VampyrNarrative Structure in Dead of Night; The Unfilmable in Peeping Tom; The Mummy's Tale; Categories; Part IISUBGENRES: THE BOOK OF MONSTERS; 4 MONSTERS; Transforming Monsters: Dr. Jekyll and Mr. Hyde and The Thing; Constructed Monsters: Frankenstein; Composite Monsters: Island of Lost Souls and The Fly; Giants: King Kong and Them!; Little People: The Devil-Doll; Animals: Murders in the Rue Morgue, The Birds and Jurassic Park; Body Parts: The Beast with Five Fingers; Monsters from Outer Space: The Thing From Another World and Alien. | |
| 505 | 0 | |a Front Matter; Half Title Page; Series Page; Main Title Page; Copyright Page; Dedication; Epigraph; Contents; Preface; List of Figures; Main Matter; Part I APPROACHING THE GENRE; 1HORROR; Overview; Origins; Defining Horror; Taking It All In; Spectacle and Suggestion; Nightmares and Forbidden Texts; Real and Imagined Horror; Endings; Recurring Elements; Beauty; Reflexivity; Appeal; Frames and Windows; 2 THE MONSTER AT THE BEDROOM WINDOW; Tarantula; The Cabinet of Dr. Caligari; Nosferatu; Frankenstein; King Kong; The Mummy's Tomb and Others; Back to the Tarantula; 3 FEAR IN A FRAME. | |
| 520 | |a 'Horror and the Horror Film' is a vivid, compelling, insightful and well-written study of the horror film and its subgenres from 1896 to the present, concentrating on the nature of horror in reality and on film. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 7 | |a Horror films |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Kawin, Bruce F., 1945- |t Horror and the horror film. |d London ; New York : Anthem Press, 2012 |w (DLC) 2012016159 |
| 830 | 0 | |a New perspectives on world cinema. | |
| 856 | 4 | 0 | |u https://colorado.idm.oclc.org/login?url=https://www.cambridge.org/core/books/horror-and-the-horror-film/53CFF15835ECBE95FF61F2CFC609454D |z Full Text (via Cambridge) |
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| 956 | |a Cambridge EBA | ||
| 956 | |b Cambridge EBA ebooks Complete Collection | ||
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| 952 | f | f | |p Can circulate |a University of Colorado Boulder |b Online |c Online |d Online |h Library of Congress classification |i web |