The making and unmaking of Francoist kitsch cinema : from Raza to Pan's Labyrinth / Alejandro Yarza.
This book examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis BuÃ³Âłuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative cliche...
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Full Text (via Cambridge) |
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| Format: | eBook |
| Language: | English |
| Published: |
Edinburgh :
Edinburgh University Press,
[2018]
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| Subjects: |
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| 100 | 1 | |a Yarza, Alejandro, |d 1958- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjvhdJKtRBmJGXy6KWBPFC | |
| 245 | 1 | 4 | |a The making and unmaking of Francoist kitsch cinema : |b from Raza to Pan's Labyrinth / |c Alejandro Yarza. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xiii, 322 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 293-305), filmography (pages 305-310) , and index. | ||
| 505 | 0 | |a Introduction -- The petrified tears of General Franco : Kitsch and Facism in Jose Luis Saenz de Heredia's Raza -- Romancero Marroqui and the Francoist Kitsch politics of time -- Los ultimos de Filipinas : The Spatio-temporal coordinates of Francoism -- Surcos : Neorealism, film noir, and the puppet master -- Franco, ese hombre : From Kitsch-artist to Kitsch-man -- Viridiana : The world, the flesh, and the devil -- Balada triste de trompeta: Of ghosts and clowns -- Under the sign of Saturn : The labyrinth of moral choices in Francoist Spain. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This book examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis BuÃ³Âłuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative cliches. | ||
| 650 | 0 | |a Motion pictures |z Spain. | |
| 650 | 0 | |a Kitsch |z Spain. | |
| 650 | 7 | |a Kitsch |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Spain |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJqFTrvj6Mhw6JfTGmqJDq | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a The making and unmaking of Francoist kitsch cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH7QVFMQxH6BWkK6vMX3Yq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Yarza, Alejandro, 1958- |t Making and unmaking of Francoist kitsch cinema. |d Edinburgh : Edinburgh University Press, [2018] |z 0748699244 |w (OCoLC)991095271 |
| 856 | 4 | 0 | |u https://colorado.idm.oclc.org/login?url=https://www.cambridge.org/core/books/making-and-unmaking-of-francoist-kitsch-cinema/56411428233EDB69316742EEAC6F8CEA |z Full Text (via Cambridge) |
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