The purchase of the past : collecting culture in post-Revolutionary Paris, c.1790-1890 / Tom Stammers, University of Durham.

"In 1867 the Petit Trianon at Versailles played host to a display of the personal possessions of Marie-Antoinette. The show was organised as part of the Universal Exhibition, but also expressed Empress Eugénie's cult for the martyred queen. The commission charged with tracking down items...

Full description

Saved in:
Bibliographic Details
Online Access: Full Text (via Cambridge)
Main Author: Stammers, Tom (Author)
Format: Electronic eBook
Language:English
Published: Cambridge, United Kingdom ; New York, NY, USA : Cambridge University Press, 2020.
Subjects:

MARC

LEADER 00000cam a2200000 i 4500
001 in00000065387
006 m o d
007 cr |||||||||||
008 200203t20202020enka ob 001 0 eng
005 20230831181623.5
010 |a  2019052932 
035 |a (OCoLC)ceba1157358046 
037 |a ceba9781108781268 
040 |a DLC  |b eng  |e pn  |e rda  |c DLC  |d OCLCO  |d YDX  |d CAMBR  |d EBLCP  |d WTU  |d VRC  |d OCLCF  |d WAU  |d N$T  |d UKAHL  |d OCLCO  |d OCLCQ 
019 |a 1163270303  |a 1182542820 
020 |a 9781108781268  |q electronic publication 
020 |a 1108781268  |q electronic publication 
020 |a 1108802885  |q electronic book 
020 |a 9781108802888  |q (electronic bk.) 
020 |z 9781108478847  |q hardback 
020 |z 9781108748636  |q paperback 
029 1 |a AU@  |b 000067526362 
035 |a (OCoLC)1157358046  |z (OCoLC)1163270303  |z (OCoLC)1182542820 
042 |a pcc 
043 |a e-fr--- 
046 |k 2020  |2 edtf 
046 |o 1790  |p 1890  |2 edtf 
050 4 |a AM349  |b .S73 2020 
049 |a GWRE 
100 1 |a Stammers, Tom,  |e author. 
245 1 4 |a The purchase of the past :  |b collecting culture in post-Revolutionary Paris, c.1790-1890 /  |c Tom Stammers, University of Durham. 
264 1 |a Cambridge, United Kingdom ;  |a New York, NY, USA :  |b Cambridge University Press,  |c 2020. 
264 4 |c ©2020 
300 |a 1 online resource (xii, 361 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction : Collection, recollection, revolution -- Amateurs and the art market in transition -- Archiving and envisioning the French Revolution -- Hunting, bibliophilia and a textual restoration -- Salvaging the Gothic in private and public spaces -- Royalists versus Vandals, and the cult of the Old Regime -- Allies of the Republic? Inside the sale of the century -- Conclusion : The resilience and eclipse of curiosité. 
520 |a "In 1867 the Petit Trianon at Versailles played host to a display of the personal possessions of Marie-Antoinette. The show was organised as part of the Universal Exhibition, but also expressed Empress Eugénie's cult for the martyred queen. The commission charged with tracking down items that had once belonged to the royal family was overwhelmed by the hundreds of donations that came flooding in 'as if by magic from palaces and houses, from shops and cottages' all over France. Fine art appeared alongside a medley of personal, perishable souvenirs: a toy cannon used by the dauphin; a book of fabric samples from the queen's dresses; an ivory cane used by Louis XVI during his imprisonment; a snuffbox snatched from the murdered body of the duc de Brissac. The committee exclaimed that the peregrinations of these wayward objects could have furnished the plots for 'the most exciting, most curious, most poignant, most touching, most comic novels of reality.' For the past seven decades, the pomp and trappings of royalty had been hawked on the open road or hidden away in private storerooms. The coronation robes worn by Louis XVI were tracked down in Rouen, where a shocked Gustave Flaubert learned that they had been unwittingly used by a theatre troupe to lend glamour to their proceedings. The finely-embroidered bedspread in which the terrified queen had wrapped her son during the assault on the Tuileries eventually came to adorn the closet of a landlady in the Palais-Royal"--  |c Provided by publisher. 
588 0 |a Print version record. 
650 0 |a Collectors and collecting  |z France  |z Paris  |x History  |y 19th century. 
650 0 |a Cultural property  |x Psychological aspects. 
650 7 |a Collectors and collecting  |2 fast  |0 (OCoLC)fst00867604 
651 7 |a France  |z Paris  |2 fast  |0 (OCoLC)fst01205283 
648 7 |a 1800-1899  |2 fast 
655 7 |a History  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Stammers, Tom.  |t Purchase of the past.  |d Cambridge, United Kingdom ; New York, NY : Cambridge University Press, 2020  |z 9781108478847  |w (DLC) 2019052931  |w (OCoLC)1125996087 
856 4 0 |u https://colorado.idm.oclc.org/login?url=https://doi.org/10.1017/9781108781268  |z Full Text (via Cambridge) 
915 |a - 
956 |a Cambridge EBA 
956 |b Cambridge EBA ebooks Complete Collection 
998 |b New collection CUP.ebaebookscomplete 
994 |a 92  |b COD 
999 f f |s 13ee40a7-3450-4312-9560-4d7ccb30bdce  |i 3eefc25a-552e-4738-a3d0-075c03771797 
952 f f |p Can circulate  |a University of Colorado Boulder  |b Online  |c Online  |d Online  |h Library of Congress classification  |i web