The cinema of disorientation : inviting confusions / Dominic Lash.
Examines disorientation and confusion, and their theoretical implications, in contemporary narrative film.
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Format: | eBook |
Language: | English |
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Edinburgh :
Edinburgh University Press,
[2020]
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Subjects: |
MARC
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050 | 4 | |a PN1995.9.D565 |b L37 2020 | |
100 | 1 | |a Lash, Dominic, |e author. | |
245 | 1 | 4 | |a The cinema of disorientation : |b inviting confusions / |c Dominic Lash. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2020] | |
264 | 4 | |c ©2020 | |
300 | |a 1 online resource (198 pages) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Intro -- Title page -- Copyright -- Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Prospectus -- PART 1. CONFUSION AS FUSION. Chapter 1. Metalepsis in film and its implications -- Chapter 2. Genres within genres within genres: nested narrative and metalepsis -- Chapter 3. 'Disappeared where it's real hard to disappear': three ways of getting lost in INLAND EMPI -- Chapter 4. Achieving coherence: diegesis and death in Holy motors -- PART 2. DISORIENTATING FIGURES AND FIGURES OF DISORIENTATION. Chapter 5. Figuring (out) films: figuration in narrative cinema | |
505 | 8 | |a Chapter 6. Distinguishing the indistinguishable: figures of imperceptibility and impossibility in Los -- Chapter 7. Homes for displaced figures: Pedro Costa's Colossal youth -- Chapter 8. Sink or swim: immersing ourselves in Jean-Luc Godard's Adieu au langage -- Conclusion: Method-free orientation -- Appendix -- Notes -- Bibliography -- Filmography -- Index. | |
520 | |a Examines disorientation and confusion, and their theoretical implications, in contemporary narrative film. | ||
588 | 0 | |a Online resource; title from digital title page (viewed on September 30, 2020). | |
630 | 0 | 0 | |a Inland empire (Motion picture) |
630 | 0 | 0 | |a Holy motors (Motion picture) |
630 | 0 | 0 | |a Colossal youth (Motion picture) |
630 | 0 | 0 | |a Goodbye to language (Motion picture) |
630 | 0 | 7 | |a Inland empire (Motion picture) |2 fast |
650 | 0 | |a Perplexity (Philosophy) | |
650 | 0 | |a Motion pictures |x History. | |
650 | 7 | |a Motion pictures |2 fast | |
650 | 7 | |a Perplexity (Philosophy) |2 fast | |
655 | 7 | |a History |2 fast | |
758 | |i has work: |a The cinema of disorientation (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG4f9kxWPmDrb6fhqBPQhd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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952 | f | f | |p Can circulate |a University of Colorado Boulder |b Online |c Online |d Online |h Library of Congress classification |i web |