Victorian Poets A Critical Reader.
Saved in:
| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Newark :
John Wiley & Sons, Incorporated,
2014.
|
| Series: | New York Academy of Sciences Ser.
|
Table of Contents:
- Intro
- Title page
- Copyright page
- Contributors
- Introduction
- 1 The Echo and the Mirror en abîme in Victorian Poetry
- Notes
- 2 The Mirror's Secret
- Notes
- 3 Browning's Anxious Gaze
- Notes
- 4 The Pragmatics of Silence, and the Figuration of the Reader in Browning's Dramatic Monologues
- 1
- 2
- Notes
- 5 Dramatic Monologue and the Overhearing of Lyric
- I
- II
- III
- IV
- Notes
- 6 Matthew Arnold's Gipsies
- The New Historicism
- Intertextual Matters
- Victorian Gipsies and "The Scholar-Gipsy"
- The Acquisition of Cultural Power
- Notes
- 7 A New Radical Aesthetic
- Notes
- 8 Alienated Majesty
- Notes
- 9 Fact and Tact
- Notes
- 10 'A Thousand Times I'd be a Factory Girl'
- I
- II
- III
- IV
- Notes
- Works Cited
- 11 'The fruitful feud of hers and his'
- 1 Questioning the Subject: Dramatic Monologue
- 2 Androgyny
- 3 The Disappearance of the Object
- 4 Matthew Arnold
- Notes
- 12 'Eat me, drink me, love me'
- Sisterhoods and the Female Gaze
- Goblin Market and Feminine Guessiness
- Notes
- 13 Browning's Corpses
- Notes
- 14 A E Housman and 'the colour of his hair'
- Notes
- 15 Tennyson's 'Little Hamlet'
- Notes
- Works Cited
- 16 The Disappointment of Christina G Rossetti
- Notes
- 17 Stirring 'a Dust of Figures'
- Notes
- Bibliography
- 18 'Love, let us be true to one another'
- I
- II
- III
- IV
- V
- Notes
- 19 'Poets and lovers evermore'
- What's in a Name?
- 'The Fearful Mastery of Love'
- Fleshly Love and 'A Curve That Is Drawn So Fine'
- Notes
- 20 Swinburne at Work
- Anactoria
- Notes
- 21 Naming and Not Naming
- I. Becoming A Name
- II. Not Naming, But Suggesting
- Notes
- Index