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230209s2014 xx o ||| 0 eng d |
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20231103150757.9 |
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|a (OCoLC)ebqac1347025616
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|a ebqac7103980
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|a EBLCP
|b eng
|c EBLCP
|d OCLCQ
|d EBLCP
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|a 9781118713082
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|a 1118713087
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|a (OCoLC)1347025616
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|a GWRE
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|a Costanzo, William V.
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|a World Cinema Through Global Genres
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|a Newark :
|b John Wiley & Sons, Incorporated,
|c 2014.
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|a 1 online resource (451 p.).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a New York Academy of Sciences Ser.
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500 |
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|a Description based upon print version of record.
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|a Intro -- World Cinema through Global Genres -- Copyright -- Contents -- Preface -- Acknowledgments -- How to Use This Book -- Introduction -- Unit I The Warrior Hero -- Chapter 1 The Warrior Hero -- The Western Hero and the Samurai -- Men with Guns: The Western Hero -- Men with Swords: The Samurai Tradition -- Enchanted Swords and Flying Fists: Wuxia and Kung Fu -- Evolution of the Wuxia Hero -- Zhang Yimou's "Hero" and Chinese Aesthetics -- The Kung Fu Craze Begins -- Hong Kong's Movie Industry Comes of Age -- Kung Fu, Wuxia, and the Aesthetics of Action -- Filmography -- Notes
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|a Further Reading -- Deep Focus on Chinese Cinemas -- The Three Chinas -- Crouching Tiger, Hidden Dragon: The Making of a Transnational Chinese-Language Film -- Notes -- Further Reading -- Close-up The Magnificent Seven -- Questions -- Notes -- Further Reading and Other Media -- Close-up Seven Samurai -- Questions -- Note -- Further Reading -- Close-up Sholay -- Questions -- Note -- Further Reading -- Close-up Way of the Dragon -- Questions -- Notes -- Unit II The Weeding Film -- Chapter 2 The Wedding Film -- Questions of Genre and Myth -- Every Girl's Dream, Every Father's Nightmare
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|a Wedding Movies as Romantic Comedy -- Best Friends, Buddies, and Other Wedding Saboteurs -- Black Comedy and Dysfunctional Families: Wedding Films as Social Satire -- Arab Brides on the Border -- Rites of Passage, Icons of Success: The Mythology of Wedding Films -- Comparative Weddings 101 -- Towards a Definition of the Genre -- Filmography -- Notes -- Further Reading -- Deep Focus on Indian Cinemas -- Classical Indian Cinema -- History, Politics, and the Indian Film -- Native Aesthetics -- Song, Saris, Dance, and Stars -- Questions of Influence
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|a Bollywood in the 1990s: Hum Aapke Hain Koun...! and Family Wedding Films -- Bride and Prejudice: The Indian Diaspora and Beyond -- Global Bollywood and the Wedding Myth -- Notes -- Further Reading -- Close-up My Big Fat Greek Wedding -- Questions -- Notes -- Close-up Monsoon Wedding -- Questions -- Notes -- Close-up The Wedding Banquet -- Questions -- Notes -- Close-up Wedding in Galilee -- Questions -- Notes -- Unit III The Horror Film -- Chapter 3 The Horror Film -- Why We Watch Horror Films: The Thrill of Fear -- Vampires: The Evolution of a Monster -- Gothic Ghosts and Grand Guignol Gore
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|a Soundless Screams on Silent Screens -- The 1930s: Universal's Classic Monsters -- The 1940s: World War II and Horror Noir -- The 1950s: Creature Features and the Cold War -- The 1960s: Psychos and Zombies, Civil Rights and Vietnam -- The 1970s: Stalking the American Family -- The 1980s: Hauntings and Howlings in the Age of Reagan -- The 1990s: Postmodern Horror and Supernatural Realism at the End of the Millennium -- The New Millennium: Horror to the Extreme -- Filmography -- Notes -- Further Reading -- Deep Focus on Japanese Cinemas -- Early History and Culture -- Genres and Aesthetics -- Anime
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|a J-Horror
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776 |
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|i Print version:
|a Costanzo, William V.
|t World Cinema Through Global Genres
|d Newark : John Wiley & Sons, Incorporated,c2014
|z 9781118712917
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830 |
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0 |
|a New York Academy of Sciences Ser.
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856 |
4 |
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|u https://ebookcentral.proquest.com/lib/ucb/detail.action?docID=7103980
|z Full Text (via ProQuest)
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915 |
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|a M
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956 |
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|a Ebook Central Academic Complete
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956 |
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|b Ebook Central Academic Complete
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998 |
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|b Added to collection pqebk.acadcomplete
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994 |
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|a 92
|b COD
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999 |
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|s 771d593e-697a-4bf8-aad1-6542cf1069a5
|i 22e8c7e1-d30a-490c-8026-1eb56e8350f2
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952 |
f |
f |
|p Can circulate
|a University of Colorado Boulder
|b Online
|c Online
|d Online
|h Library of Congress classification
|i web
|