Titian's Allegory of marriage : new approaches / edited by Daniel M. Unger.
This book offers nine new approaches toward a single work of art, Titian's Allegory of Marriage or Allegory of Alfonso d'Avalos, dated to 1530/5. In earlier references, the painting was named simply Allegory, alluding to its enigmatic nature. The work follows in a tradition of such ambiguo...
Saved in:
| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Other Authors: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam :
Amsterdam University Press,
[2022]
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| Series: | Visual and material culture, 1300-1700.
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| Subjects: |
MARC
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| 245 | 0 | 0 | |a Titian's Allegory of marriage : |b new approaches / |c edited by Daniel M. Unger. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2022] | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Visual and material culture, 1300-1700 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t List of Plates and Figures -- |t 1. Introduction: Poetic License -- |t 2. Love, Beauty, and the Human Body as a Reflection of the Divine -- |t 3. Amorosa visione: Titian's Allegory of Marriage and the Poetry of the Half-length Format -- |t 4. The Arms and Armour of Titian's Allegory of Marriage -- |t 5. 'Un disio sol d'eterna gloria e fama': A Literary Approach to Titian's Allegory -- |t 6. Psyche, Venus, Ceres and Their Friends: Titian's Remixes -- |t 7. Art and the Double Meaning of Reflection in Titian's Allegory of Marriage -- |t 8. Titian's Allegory of Marriage as an 'Allegory of Peace' -- |t 9. Vision and Touch in the Allegory of Marriage -- |t 10. Of Crystal Orbs and Divinatory Mirrors : The Vicissitudes of Pregnancy and Artistic Agency in Titian's Allegory of Marriage -- |t Index |
| 520 | |a This book offers nine new approaches toward a single work of art, Titian's Allegory of Marriage or Allegory of Alfonso d'Avalos, dated to 1530/5. In earlier references, the painting was named simply Allegory, alluding to its enigmatic nature. The work follows in a tradition of such ambiguous Venetian paintings as Giovanni Bellini's Sacred Allegory and Giorgione's Tempest. Throughout the years, Titian's Allegory has engendered a range of diverse interpretations. Art historians such as Hans Tietze, Erwin Panofsky, Walter Friedlaender, and Louis Hourticq, to mention only a few, promoted various explanations. This book offers novel approaches and suggests new meanings toward a further understanding of this somewhat abstruse painting. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on August 02, 2022). | ||
| 600 | 0 | 0 | |a Titian, |d approximately 1488-1576. |t Allegory of marriage. |
| 600 | 0 | 0 | |a Titian, |d approximately 1488-1576 |x Criticism and interpretation. |
| 600 | 0 | 7 | |a Titian, |d approximately 1488-1576. |2 fast |0 (OCoLC)fst01851272 |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Unger, Daniel M., |e editor. | |
| 776 | 0 | 8 | |i Print version: |a M. Unger, Daniel |t Titian's Allegory of Marriage |d Amsterdam : Amsterdam University Press,c2022 |
| 830 | 0 | |a Visual and material culture, 1300-1700. | |
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| 952 | f | f | |p Can circulate |a University of Colorado Boulder |b Online |c Online |d Online |e ND623.T7 T58 2022 |h Library of Congress classification |i web |