Money and materiality in the golden age of graphic satire / Amanda Lahikainen.
"This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between these two types of engrave...
Saved in:
| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Main Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Newark :
University of Delaware Press,
[2022]
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| Series: | University of Delaware Press studies in 17th- and 18th- century art and culture.
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| Subjects: |
MARC
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| 245 | 1 | 0 | |a Money and materiality in the golden age of graphic satire / |c Amanda Lahikainen. |
| 264 | 1 | |a Newark : |b University of Delaware Press, |c [2022] | |
| 300 | |a 1 online resource (xv, 224 pages) : |b illustrations (some color). | ||
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| 490 | 1 | |a Studies in seventeenth- and eighteenth-century art and culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The inflation of Georgian graphic satire -- Money, Fact, and value -- Crisis -- Subjectivity and trust -- Imitation and immateriality -- Materiality -- The deflation of Georgian graphic satire -- Beyond Britain. | |
| 520 | |a "This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between these two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking along, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire altogether"-- |c Provided by publisher | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on August 03, 2022). | |
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| 650 | 0 | |a Paper money design |z Great Britain |x History. | |
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| 650 | 7 | |a English wit and humor, Pictorial. |2 fast | |
| 650 | 7 | |a Paper money design. |2 fast | |
| 650 | 7 | |a Social conditions. |2 fast | |
| 651 | 7 | |a Great Britain. |2 fast | |
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| 655 | 7 | |a History. |2 fast | |
| 655 | 7 | |a Humor. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Lahikainen, Amanda. |t Money and Materiality in the Golden Age of Graphic Satire. |d New Brunswick : University of Delaware Press, ©2022 |z 9781644532690 |
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| 830 | 0 | |a University of Delaware Press studies in 17th- and 18th- century art and culture. |0 http://id.loc.gov/authorities/names/n2002027446 | |
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