Aesthetics of International Law Ed Morgan
In The Aesthetics of International Law, Ed Morgan engages in a literary parsing of international legal texts. In order to demonstrate how these types of legal narratives are imbued with modernist aesthetics, Morgan juxtaposes international legal documents and modern (as well as some immediately pre-...
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Full Text (via De Gruyter) |
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| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
Toronto
University of Toronto Press
2016, [2016]
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MARC
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| 520 | |a In The Aesthetics of International Law, Ed Morgan engages in a literary parsing of international legal texts. In order to demonstrate how these types of legal narratives are imbued with modernist aesthetics, Morgan juxtaposes international legal documents and modern (as well as some immediately pre- and post-modern) literary texts. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction: The Aesthetics of International Law -- |t 1. Edgar Allan Poe: Law and Terrorism -- |t 2. Henrik Ibsen and Bertolt Brecht: War Crimes Trials -- |t 3. Joseph Conrad, Virginia Woolf, T.S. Eliot: Public International Law -- |t 4. James Joyce: Conflict of Laws -- |t 5. Franz Kafka: Extraterritorial Criminal Law -- |t 6. Mordecai Richler: Universal Jurisdiction -- |t 7. Vladimir Nabokov: Extradition to the Death Penalty -- |t 8. Jorge Luis Borges: The Break-up of Yugoslavia -- |t 9. Thomas Pynchon: Environmental Liability -- |t 10. Kurt Vonnegut: The Law of War -- |t Conclusion: For a New Scholarship -- |t Epilogue: Pound of Flesh -- |t Notes -- |t Index |
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| 650 | 0 | |a Law and aesthetics. | |
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