Cosí fan tutte in Glyndebourne : interviews with Ivan Fischer, Nicholas Hytner, and the singers / Opus Arte.
The rendition of Cosi fan Tutte in Glyndebourne gives a sense of "how intensely desire can be felt" according to stage director Nicholas Hytner. Ivan Fischer evokes a childhood memory when he starts talking about Mozart's famous opera Cosi fan Tutte: "I had an uncle and an aunt w...
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Online Access: |
Streaming Video (via Medici.tv) |
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Other Authors: | , , , , , , |
Format: | Electronic Video |
Language: | English Italian |
Published: |
[Place of publication not identified] :
Opus Arte,
[2006]
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Subjects: |
Summary: | The rendition of Cosi fan Tutte in Glyndebourne gives a sense of "how intensely desire can be felt" according to stage director Nicholas Hytner. Ivan Fischer evokes a childhood memory when he starts talking about Mozart's famous opera Cosi fan Tutte: "I had an uncle and an aunt whom I only knew when they were in their 70s. And they told me that in their youth they had some problems but they decided to stay together after listening a performance of Cosi fan Tutte!"He adds, as the title suggests "All of us are seducible, and it is something which has to be forgiven & And the end of the opera tells us, we are all the same, don't take it so seriously." In this opera the harmony between music and theater serves the seducers and breaks the resistance of the two sisters. Glyndebourne appears here to be the perfect setting for creating the intimacy required between the characters and making the magic happen. |
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Physical Description: | 1 online resource (1 video file (24 min., 7 sec.)) : sound, color |
Playing Time: | 00:24:07 |
Participant or Performer: | Miah Persson, soprano ; Anke Vondung, mezzo-soprano ; Topi Lehtipuu, tenor ; Luca Pisaroni, bass-baritone ; Iván Fischer, conductor ; interviews with the musicians and Nicholas Hytner, stage director. |
Language: | In English; excerpts sung in Italian; English subtitles. |
Source of Description, Etc. Note: | Source of description: Vendor-supplied metadata. |