Hensel : string quartet in E flat / Benedict Taylor.
The String Quartet in E flat major (1834) by Fanny Hensel, née Mendelssohn, is one of the most important works by a female composer written in the nineteenth century. Composed at a turning point in her life (as Hensel was not only grappling with her own creative voice but also coming to terms with h...
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| Online Access: |
Full Text (via Cambridge) |
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| Main Author: | |
| Other title: | String quartet in E flat |
| Format: | eBook |
| Language: | English |
| Published: |
Cambridge, United Kingdom ; New York, NY :
Cambridge University Press,
2024.
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| Series: | New Cambridge music handbooks.
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| Subjects: |
MARC
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| 050 | 4 | |a ML410.H482 |b T39 2024 | |
| 100 | 1 | |a Taylor, Benedict, |d 1981- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjDHHqdx7bmtvtYRbmx8kC | |
| 245 | 1 | 0 | |a Hensel : |b string quartet in E flat / |c Benedict Taylor. |
| 246 | 3 | |a String quartet in E flat | |
| 264 | 1 | |a Cambridge, United Kingdom ; |a New York, NY : |b Cambridge University Press, |c 2024. | |
| 264 | 4 | |c ©2024 | |
| 300 | |a 1 online resource (xii, 120 pages) : |b illustrations, music. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a New Cambridge music handbooks | |
| 504 | |a Includes bibliographical references (pages 116-118) and index. | ||
| 505 | 0 | 0 | |g Introduction. |g Hensel and current research ; |t Genre, gender, and the question of choice -- |g Background. |g Hensel's musical upbringing ; |t Fanny, Felix, and a shared Mendelssohnian style? ; |g Intimate correspondences within the family circle ; |t Receiving Beethoven ; |t The 'Easter' sonata (1828) -- |g Genesis and private reception. |t The unfinished Piano Sonata in E flat (1829) ; |t The string quartet: motivations and sources ; |g Fraternal reception: the critical exchange of 1835 -- |g First movement: Adagio ma non troppo. |g The opening paradigm ; |g Formal outline ; |t 'Innere Nothwendigkeit' and 'schematic fantasies' ; |g Musical correspondences and meaning -- |g Second movement: Allegretto. |g Larger design, difficulties with sources, and the two versions ; |g Opening scherzo ; |g Trio ; |g Dissolving reprise -- |g Third movement: Romanza. |g Opening section ; |g Development ; |g Reprise -- |g Finale: Allegro molto vivace. |g Formal dynamism ; |g The central C minor episode and intermovement elements across the quartet ; |g Coming to a close -- |g Responding to the quartet. |g Aftermath ; |g A creative response: |t the Piano Trio in D minor, op. 11 (1847) ; |g Rediscovery and reception from the 1980s. |
| 588 | |a Description based on online resource; title from digital title page (viewed on December 19, 2023). | ||
| 520 | |a The String Quartet in E flat major (1834) by Fanny Hensel, née Mendelssohn, is one of the most important works by a female composer written in the nineteenth century. Composed at a turning point in her life (as Hensel was not only grappling with her own creative voice but also coming to terms with her identity as a married woman, and the role her family expected of her), the quartet is significant in showing a woman composing in a genre that was then almost exclusively the domain of male artists. Benedict Taylor's illuminating book situates itself within developing scholarly discourse on the music of women composers, going beyond apologetics - or condemnation of those who hindered their development - to examine the strength and qualities of the music and how it responded to the most progressive works of the period. | ||
| 600 | 1 | 0 | |a Hensel, Fanny Mendelssohn, |d 1805-1847. |t Quartets, |m violins (2), viola, cello, |r E♭ major. |
| 650 | 0 | |a String quartets |x Analysis, appreciation. | |
| 650 | 7 | |a String quartets |x Analysis, appreciation |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Taylor, Benedict, 1981- |t Hensel. |d Cambridge, United Kingdom ; New York, NY : Cambridge University Press, 2024 |z 131651384X |w (OCoLC)1381443410 |
| 830 | 0 | |a New Cambridge music handbooks. | |
| 856 | 4 | 0 | |u https://colorado.idm.oclc.org/login?url=https://doi.org/10.1017/9781009076159 |z Full Text (via Cambridge) |
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| 956 | |b Cambridge EBA ebooks Complete Collection | ||
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| 952 | f | f | |p Can circulate |a University of Colorado Boulder |b Online |c Online |d Online |e ML410.H482 T39 2024 |h Library of Congress classification |i web |