Ruth Asawa : through line / edited by Kim Conaty and Edouard Kopp ; with contributions by Aleesa Pitchamarn Alexander, Jordan Troeller, Scout Hutchinson, Kirsten Marples, Isabel Bird.
"The practice of drawing is a unifying thread in the art of Ruth Asawa (1926-2013). Known as a sculptor, which she described as 'almost like drawing in space,' Asawa drew daily and likened it to playing scales for musicians. Ruth Asawa Through Line reveals her wonderfully varied outpu...
Saved in:
Main Authors: | , , , |
---|---|
Other Authors: | , , , , , |
Other title: | Ruth Asawa (Whitney Museum of American Art) Through line |
Format: | Book |
Language: | English |
Published: |
Houston : New York :
The Menil Collection ; Whitney Museum of American Art,
[2023]
|
Subjects: |
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | in00000189927 | ||
008 | 230720t20232023txuac bc 000 0 eng d | ||
005 | 20240801212316.0 | ||
010 | |a 2023938246 | ||
015 | |a GBC3D8556 |2 bnb | ||
016 | 7 | |a 021149422 |2 Uk | |
019 | |a 1375549691 | ||
020 | |a 9780300273281 |q (hardcover) | ||
020 | |a 0300273282 |q (hardcover) | ||
029 | 0 | |a UKMGB |b 021149422 | |
029 | 1 | |a AU@ |b 000075189834 | |
035 | |a (OCoLC)on1393181143 | ||
035 | |a (OCoLC)1393181143 |z (OCoLC)1375549691 | ||
040 | |a UKMGB |b eng |e rda |c UKMGB |d BDX |d YDX |d YUS |d OCLCQ |d MAV |d CAD |d TKN |d YDX |d OCLCO |d CUV |d AVA |d CAM |d CRU |d ERASA |d TEU |d OCLCO |d XII |d CUY |d TOH |d NYP |d GSU |d OCLCQ |d OCLCO |d YBM |d OCLCQ | ||
043 | |a n-us--- | ||
050 | 0 | 0 | |a NB237.A82 |b A4 2023 |
050 | 4 | |a N6537.A74 |b A4 2023 | |
082 | 0 | 4 | |a 730.92 |2 23 |
082 | 0 | 4 | |a 709.2 |2 23 |
130 | 0 | |a Ruth Asawa (Whitney Museum of American Art) | |
245 | 1 | 0 | |a Ruth Asawa : |b through line / |c edited by Kim Conaty and Edouard Kopp ; with contributions by Aleesa Pitchamarn Alexander, Jordan Troeller, Scout Hutchinson, Kirsten Marples, Isabel Bird. |
246 | 3 | 0 | |a Through line |
264 | 1 | |a Houston : |b The Menil Collection ; |a New York : |b Whitney Museum of American Art, |c [2023] | |
264 | 2 | |a New Haven ; |a London : |b Distributed by Yale University Press | |
264 | 4 | |c ©2023 | |
300 | |a 231 pages : |b illustrations (chiefly color), portraits ; |c 29 cm | ||
336 | |a text |b txt |2 rdacontent | ||
336 | |a still image |b sti |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
500 | |a Published on the occasion of the exhibition of the same title held at the Whitney Museum of American Art, September 16, 2023-January 15, 2024, and The Menil Collection, March 22-July 21, 2024. | ||
504 | |a Includes bibliographical references. | ||
520 | |a "The practice of drawing is a unifying thread in the art of Ruth Asawa (1926-2013). Known as a sculptor, which she described as 'almost like drawing in space,' Asawa drew daily and likened it to playing scales for musicians. Ruth Asawa Through Line reveals her wonderfully varied output from the late 1940s to the 1990s. The art of drawing was Ruth Asawa's way to see and understand the world"--Page 4 of cover. | ||
520 | |a "Ruth Asawa (1926-2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa's oeuvre throughout her career, featuring essays that examine the range of Asawa's aesthetic maneuvers across materials and techniques; how Asawa's drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers's pedagogy and Asawa's lifelong adoption of his type of paper folding. Tracing Asawa's artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist's drawings includes reproductions of more than one hundred works--many of which have never been published--organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear." -- |c Publisher's description. | ||
505 | 0 | 0 | |g Foreword / |r Rebecca Rabinow and Adam D. Weinberg -- |g Acknowledgments / |r Kim Conaty and Edouard Kopp -- |g Preface / |r Kim Conaty and Edouard Kopp -- |t "Your hand is already flowing" : Ruth Asawa's daily practice of drawing / |r Kim Conaty -- |t Drawn together : Ruth Asawa and community / |r Aleesa Pitchamarn Alexander -- |t The pedagogical value of paper / |r Jordan Troeller -- |t Instinct and inquiry : Ruth Asawa's use of drawing materials and techniques / |r Edouard Kopp -- |t Eight themes. Learning to see -- |t Found and transformed -- |t Forms within forms -- |t In and out -- |t Rhythms and waves -- |t Growth patterns -- |t Curiosity and control -- |t Life lines -- |t Works in the exhibition. |
600 | 1 | 0 | |a Asawa, Ruth |v Exhibitions. |
600 | 1 | 0 | |a Asawa, Ruth |x Criticism and interpretation. |
650 | 0 | |a Drawing, American |v Exhibitions. |0 http://id.loc.gov/authorities/subjects/sh2008102411 | |
650 | 6 | |a Dessin américain |v Expositions. | |
650 | 7 | |a ART / Women Artists. |2 bisacsh | |
600 | 1 | 7 | |a Asawa, Ruth. |2 fast |
650 | 7 | |a Criticism and interpretation. |2 fast |0 https://id.worldcat.org/fast/1198648 | |
650 | 7 | |a Drawing, American |x Exhibitions. |2 fast |0 https://id.worldcat.org/fast/897777 | |
655 | 7 | |a exhibition catalogs. |2 aat | |
655 | 7 | |a Exhibition catalogs. |2 fast |0 https://id.worldcat.org/fast/1424028 | |
655 | 7 | |a Exhibition catalogs. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026098 | |
655 | 7 | |a Catalogues d'exposition. |2 rvmgf | |
700 | 1 | 2 | |a Asawa, Ruth. |t Works. |k Selections. |0 http://id.loc.gov/authorities/names/no2020065563 |
700 | 1 | |a Conaty, Kim, |e author, |e editor. |0 http://id.loc.gov/authorities/names/no2012045146 |1 https://isni.org/isni/0000000367680912 | |
700 | 1 | |a Kopp, Édouard, |d 1974- |e author, |e editor. |0 http://id.loc.gov/authorities/names/n2009019492 |1 https://isni.org/isni/0000000114620540 | |
700 | 1 | |a Alexander, Aleesa, |e author. |0 http://id.loc.gov/authorities/names/n2018006741 | |
700 | 1 | |a Troeller, Jordan, |e author. |0 http://id.loc.gov/authorities/names/no2023098975 |1 http://isni.org/isni/0000000418693693 | |
700 | 1 | |a Hutchinson, Scout, |e contributor. |0 http://id.loc.gov/authorities/names/no2023098981 | |
700 | 1 | |a Marples, Kirsten, |e contributor. |0 http://id.loc.gov/authorities/names/no2023098982 | |
700 | 1 | |a Bird, Isabel, |e contributor. |0 http://id.loc.gov/authorities/names/no2023098984 | |
700 | 1 | |a Rabinow, Rebecca A., |e writer of foreword. |0 http://id.loc.gov/authorities/names/nr99002976 |1 http://isni.org/isni/0000000052121577 | |
700 | 1 | |a Weinberg, Adam D., |e writer of foreword. |0 http://id.loc.gov/authorities/names/n83158168 |1 http://isni.org/isni/0000000108723156 | |
710 | 2 | |a Whitney Museum of American Art, |e host institution, |e issuing body. |0 http://id.loc.gov/authorities/names/n79032811 |1 http://isni.org/isni/0000000120977634 | |
710 | 2 | |a Menil Collection (Houston, Tex.), |e host institution, |e issuing body. |0 http://id.loc.gov/authorities/names/n85186021 |1 http://isni.org/isni/0000000406122420 | |
938 | |a Erasmus Boekhandel |b ERAA |n 0000446052 | ||
938 | |a Brodart |b BROD |n 134463110 | ||
938 | |a YBP Library Services |b YANK |n 19668827 | ||
944 | |a MARS - RDA ENRICHED | ||
948 | |h NO HOLDINGS IN COD - 191 OTHER HOLDINGS | ||
956 | |b COUTTS_28600A00_APPROVAL_ARTST | ||
994 | |a Z0 |b COD | ||
999 | f | f | |s a080f16f-d22d-4ebe-b225-d986a1e7c63d |i 0b6d6468-28ff-4f73-915b-70353dc1acd9 |
952 | f | f | |p Can circulate |a University of Colorado Boulder |b Boulder Campus |c Norlin |d Norlin Library - Art & Architecture Stacks |e N6537.A74 A4 2023 |h Library of Congress classification |i book |m U183073979244 |n 1 |