More than night : film noir in its contexts / James Naremore.
Film noir evokes memories of stylish, cynical, black-and-white movies from the 1940s and '50smelodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. James Naremore's prize-winning book discusses these pictures, but also shows that the central term is more comp...
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Online Access: |
Full Text (via ProQuest) Full Text (via ProQuest) |
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Main Author: | |
Format: | eBook |
Language: | English |
Published: |
Berkeley :
University of California Press,
2008.
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Edition: | Updated and expanded edition. |
Subjects: |
MARC
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245 | 1 | 0 | |a More than night : |b film noir in its contexts / |c James Naremore. |
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505 | 0 | |a Introduction: this is where I came in -- 1. The history of an idea -- 2. Modernism and blood melodrama: three case studies -- 3. From dark films to black lists: censorship and politics -- 4. Low is high: budgets and critical discrimination -- 5. Old is new: styles of noir -- 6. The other side of the street -- 7. The noir mediascape -- 8. Noir in the twenty-first century. | |
520 | |a Film noir evokes memories of stylish, cynical, black-and-white movies from the 1940s and '50smelodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. James Naremore's prize-winning book discusses these pictures, but also shows that the central term is more complex and paradoxical than we realize. It treats noir as a term in criticism, as an expression of artistic modernism, as a symptom of Hollywood censorship and politics, as a market strategy, as an evolving style, and as an idea that circulates through all the media. This new and expanded edition of More Than N. | ||
588 | 0 | |a Description based on online resource; title from pdf title page (EBSCO, viewed on January 19, 2022). | |
650 | 0 | |a Film noir |x History and criticism. | |
650 | 7 | |a Film noir |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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