The unintended : photography, property, and the aesthetics of racial capitalism / Monica Huerta.

The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity - industrialisation, racialisation, and capitalism - were quickly reshaping the world. 'The Unintended' slows down the moment in which the technology of...

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Bibliographic Details
Online Access: Full Text (via Oxford)
Main Author: Huerta, Monica, 1981- (Author)
Format: Electronic eBook
Language:English
Published: New York : New York University Press, [2023]
Series:America and the long 19th century.
NYU Press scholarship online.
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Description
Summary:The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity - industrialisation, racialisation, and capitalism - were quickly reshaping the world. 'The Unintended' slows down the moment in which the technology of photography seemed to speed itself - and so the history of racial capitalism - up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.
Item Description:Also issued in print: 2023.
Physical Description:1 online resource (xvii, 309 pages) : illustrations (black and white).
Audience:Specialized.
Bibliography:Includes bibliographical references and index.
ISBN:9781479812431
DOI:10.18574/nyu/9781479812431.001.0001
Source of Description, Etc. Note:Description based on online resource; title from PDF title page (viewed on January 29, 2024).