De la guerra de las imágenes a la mezcla barroca de los imaginarios en el mundo colonial americano / Carlos Rincón.
The study is centered on how the perception and appropriation of the baroque masterpieces by a large part of the colonial American population summoned in chapels, temples, public processions and other religious events.
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | Spanish |
| Published: |
[Bogotá] :
Universidad Nacional de Colombia, Facultad de Artes,
2007.
|
| Edition: | 1. ed. |
| Series: | Colección sin condición ;
12. |
| Subjects: |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | in00000310658 | ||
| 008 | 090528s2007 ck a b 000 0 spa d | ||
| 005 | 20241104185144.8 | ||
| 010 | |a 2009480375 | ||
| 020 | |a 9789587018202 |q (pbk.) | ||
| 020 | |a 9587018206 |q (pbk.) | ||
| 035 | |a (OCoLC)ocn262879034 | ||
| 035 | |a (OCoLC)262879034 | ||
| 040 | |a MNU |b eng |c DLC |d MNU |d FDA |d OCLCF |d OCLCO |d OCL |d OCLCQ |d OCLCA |d SNN |d OCLCQ |d BP1 |d OCLCO |d OCLCQ |d OCLCL | ||
| 042 | |a lccopycat | ||
| 043 | |a cl----- | ||
| 050 | 0 | 0 | |a N6502.2 |b .R56 2007 |
| 082 | 0 | 4 | |a 701.17 |q OCoLC |2 21/eng/20230203 |
| 100 | 1 | |a Rincón, Carlos, |d 1940- |e author. |0 http://id.loc.gov/authorities/names/n83198577 |1 https://id.oclc.org/worldcat/entity/E39PBJc84Wdv6RXw89YvhT89jC |1 http://isni.org/isni/0000000116917575 | |
| 245 | 1 | 0 | |a De la guerra de las imágenes a la mezcla barroca de los imaginarios en el mundo colonial americano / |c Carlos Rincón. |
| 250 | |a 1. ed. | ||
| 260 | |a [Bogotá] : |b Universidad Nacional de Colombia, Facultad de Artes, |c 2007. | ||
| 300 | |a 82 pages : |b illustrations ; |c 17 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Colección sin condición ; |v 12 | |
| 504 | |a Includes bibliographical references (pages 77-82). | ||
| 505 | 0 | |a ¿Estética de la obra maestra o estilística de la producción y el consumo culturales? -- Topografía y polos temporales -- La imagen como representación -- Ángeles, castas, altares. | |
| 520 | 8 | |a The study is centered on how the perception and appropriation of the baroque masterpieces by a large part of the colonial American population summoned in chapels, temples, public processions and other religious events. | |
| 650 | 0 | |a Visual communication in art. |0 http://id.loc.gov/authorities/subjects/sh97002476 | |
| 650 | 0 | |a Art, Spanish colonial |z Latin America. | |
| 650 | 0 | |a Indian art |z Latin America. | |
| 650 | 6 | |a Communication visuelle dans l'art. | |
| 650 | 6 | |a Art colonial espagnol |z Amérique latine. | |
| 650 | 7 | |a Art, Spanish colonial. |2 fast |0 (OCoLC)fst00816919 | |
| 650 | 7 | |a Indian art. |2 fast |0 (OCoLC)fst00969029 | |
| 650 | 7 | |a Visual communication in art. |2 fast |0 (OCoLC)fst01168010 | |
| 651 | 7 | |a Latin America. |2 fast |0 (OCoLC)fst01245945 | |
| 758 | |i has work: |a De la guerra de las imágenes a la mezcla barroca de los imaginarios en le mundo colonial americano (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFW7mc6KVbmWKhGpVmbRgC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 830 | 0 | |a Colección sin condición ; |v 12. |0 http://id.loc.gov/authorities/names/nr2006001582 | |
| 944 | |a MARS | ||
| 948 | |h NO HOLDINGS IN COD - 32 OTHER HOLDINGS | ||
| 994 | |a Z0 |b COD | ||
| 999 | f | f | |s 591f9433-ca7b-489f-b779-4384f4443aca |i 1d1b0f56-14f5-4ab6-beda-d8b3b66958a1 |
| 952 | f | f | |p Can circulate |a University of Colorado Boulder |b Boulder Campus |c Norlin |d Norlin Library - Art & Architecture Stacks |e N6502.2 .R56 2007 |h Library of Congress classification |i book |m U183080127303 |n 1 |