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Principles of Literary Criticism / I.A. Richards.

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Bibliographic Details
Online Access: Full Text (via Taylor & Francis)
Main Author: Richards, I. A. (Ivor Armstrong), 1893-1979 (Author)
Format: eBook
Language:English
Published: Routledge, 2017.
Edition:1st.
Subjects:
Criticism > History.
Criticism.
History.

MARC

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100 1 |a Richards, I. A.  |q (Ivor Armstrong),  |d 1893-1979,  |e author. 
245 1 0 |a Principles of Literary Criticism /  |c I.A. Richards. 
250 |a 1st. 
264 1 |b Routledge,  |c 2017. 
300 |a 1 online resource (296 pages) 
336 |a text  |b txt  |2 rdacontent. 
337 |a computer  |b c  |2 rdamedia. 
338 |a online resource  |b cr  |2 rdacarrier. 
505 0 0 |t Chapter 1 The Chaos of Critical Theories /  |r I. A. Richards --  |t chapter 2 The Phantom Aesthetic State /  |r I. A. Richards --  |t chapter 3 The Language of Criticism /  |r I. A. Richards --  |t chapter 4 Communication and the Artist /  |r I. A. Richards --  |t chapter 5 The Critics' Concern with Value /  |r I. A. Richards --  |t chapter 6 Value as an Ultimate Idea /  |r I. A. Richards --  |t chapter 7 A Psychological Theory of Value /  |r I. A. Richards --  |t chapter 8 Art and Morals /  |r I. A. Richards --  |t chapter 9 Actual and Possible Misapprehensions /  |r I. A. Richards --  |t chapter 10 Poetry for Poetry's Sake /  |r I. A. Richards --  |t chapter 11 A Sketch for A Psychology /  |r I. A. Richards --  |t chapter 12 Pleasure /  |r I. A. Richards --  |t chapter 13 Emotion and the Coenesthesia /  |r I. A. Richards --  |t chapter 14 Memory /  |r I. A. Richards --  |t chapter 15 Attitudes /  |r I. A. Richards --  |t chapter 16 The Analysis of a Poem /  |r I. A. Richards --  |t chapter 17 Rhythm and Metre /  |r I. A. Richards --  |t chapter 18 On Looking at a Picture /  |r I. A. Richards --  |t chapter 19 Sculpture and the Construction of Form /  |r I. A. Richards --  |t chapter 20 The Impasse of Musical Theory /  |r I. A. Richards --  |t chapter 21 A Theory of Communication /  |r I. A. Richards --  |t chapter 22 The Availability of the Poet's Experience /  |r I. A. Richards --  |t chapter 23 Tolstoy's Infection Theory /  |r I. A. Richards --  |t chapter 24 The Normality of the Artist /  |r I. A. Richards --  |t chapter 25 Badness in Poetry /  |r I. A. Richards --  |t chapter 26 Judgement and Divergent Readings /  |r I. A. Richards --  |t chapter 27 Levels of Response and The Width of Appeal /  |r I. A. Richards --  |t chapter 28 The Allusiveness of Modern Poetry /  |r I. A. Richards --  |t chapter 29 Permanence as a Criterion /  |r I. A. Richards --  |t chapter 30 The Definition of a Poem /  |r I. A. Richards --  |t chapter 31 Art, Play, and Civilization /  |r I. A. Richards --  |t chapter 32 The Imagination /  |r I. A. Richards --  |t chapter 33 Truth and Revelation Theories /  |r I. A. Richards --  |t chapter 34 The Two Uses of Language /  |r I. A. Richards --  |t chapter 35 Poetry and Beliefs /  |r I. A. Richards. 
520 3 |a Ivor Armstrong Richards was one of the founders of modern literary criticism. He enthused a generation of writers and readers and was an influential supporter of the young T.S. Eliot. Principles of Literary Criticism was the text that first established his reputation and pioneered the movement that became known as the 'New Criticism'. Highly controversial when first published, Principles of Literary Criticism remains a work which no one with a serious interest in literature can afford to ignore. 
650 0 |a Criticism  |x History. 
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655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628. 
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